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Donning Levi's and a college T shirt emblazoned STANFORD is not an act of political rebellion but of status seeking. For Soviet youngsters, Western products proclaim to their friends, "I can get what I want." A scarf with a designer signature adds a dash of color to what can be a gray existence. Nor are Soviet officials immune to the temptations; it is often their children who are first to sport the latest Western clothes, courtesy of a trip abroad or a state store reserved for the elite. "What cannot help alarming us," Chernenko said last year...

Author: /time Magazine | Title: Grandchildren off the Revolution | 2/27/1984 | See Source »

Tony Kraber had come dressed for the occasion: even the scarf he wore around his neck was imbued with almost 50 years of memories. Tall, lean, striding with the assurance of his 78 years, he pushed his way gently through a lobby full of adolescents to the inner room, the one with the stage. He stopped a few steps in, his eyes bright with anticipation, then soft in reverie, as he gazed at the vaguely familiar faces, the piles of photographs and clippings, the mementos of happy times a half-century ago. From across the room a bulky man offered...

Author: /time Magazine | Title: In New York City: Staging a Reunion | 1/23/1984 | See Source »

...Motion Picture Academy's Oscar for Best Picture, 28 have run more than two hours, and five have been at least three hours long. This year looks to continue the trend: The Right Stuff (3 hr. 11 min.) is sure to be nominated for Best Picture, and Scarf ace (2 hr. 50 min., nearly twice as long as the 1932 gangster classic on which it is closely based) has an outside shot...

Author: /time Magazine | Title: Show Business: Why Do Movies Seem So Long? | 1/16/1984 | See Source »

...most flamboyant Doctor was No. 4, Tom Baker (1974 to 1981), whose halo of brown curls and 20-ft.-long scarf had a singular appeal for female fans...

Author: /time Magazine | Title: Video: Who's Who in Outer Space | 1/9/1984 | See Source »

...told exactly what to do they become more themselves than they know." And that would explain the glint of pawky self-dramatization in many of the poses: Prince Charles sporting his riding silks with 18th century aplomb; Novelist Iris Murdoch slumped back in a chair, wrapped in a scarf, head cocked appraisingly; Actor Alec Guinness leaning jauntily against a tree, wearing a rakish peasant hat. The lighting is soft and natural throughout; the camera's gaze is direct and steady (and it is returned just as steadily by most of the subjects). Snowdon has mastered an elegance that never...

Author: /time Magazine | Title: Books: A Shelf of Season's Readings | 12/12/1983 | See Source »

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