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...moves into a dingy Greenwich Village apartment, hits the showier Village bars, tries an affair with a melancholy Village music teacher. It all seems pointless. Maybe abroad? "Rubbing your backside with a colored scarf and squirting wine out of goatskins?" Hopefully he hops off to Spain, moves into a dingy pensión, sits around in cafés with the local American beatniks, even goes off to Morocco for awhile to see if marijuana is the answer. And slowly he discovers what all sensible people know: that all the world over, hips are duller than squares...

Author: /time Magazine | Title: Books: Study in Hipmanship | 9/3/1965 | See Source »

...Colin Chapman, had signed up for the race, and Clark reckoned he might as well make the most of t. So he did. Squirming into No. 82, a tiny, 1,250-lb. Lotus painted "unlucky" green and powered by a 495-h.p. Ford engine, he tied a white silk scarf around his face and proceeded to put on a display never before seen at Indianapolis. He led for all but ten of the 200 laps, broke some sort of record practically every time he tooled around the 21-mile course, lapped the entire field twice, averaged 150.68 m.p.h...

Author: /time Magazine | Title: Auto Racing: Easy Does It | 6/11/1965 | See Source »

Every woman knows how the scarf-makers tried. They snipped everything from chiffon to cotton to sensuous silk into triangles, trapezoids and squares. Givenchy and Balenciaga dappled the shapes with abstract slashes; Emilio Pucci colored them with wildly vibrant designs that looked like stained glass; lesser lights tried everything from polka dots to reproductions of Botticelli paintings. But even when the Mona Lisa was pulled flat over the hair and reefed under the chin, the result was strictly Ellis Island-that flattopped look, with a tail either drooping forlornly at half-mast or sticking out behind like the flight deck...

Author: /time Magazine | Title: Fashion: A Lift for Flattops | 4/23/1965 | See Source »

...hatters have added some crucial undercover work. To give the scarf a lift and banish the babushka look, milliners have concocted a hatlike frame of stiff net. Over the frame goes a kerchief, with the ends either knotted at the nape of the neck or softly folded in front. The result: the scarf hat, a runaway bestseller that can safely be placed on freshly set hair and is often well worth wearing for its own stylish sake...

Author: /time Magazine | Title: Fashion: A Lift for Flattops | 4/23/1965 | See Source »

During the pre-Easter buying spree, scarf hats sold out all over Manhattan, from $65 Adolfo-designed abstracts on a high-crowned framework to a wide assortment of slightly stiffened cotton prints for less than $10. For the hat industry, the Manhattan sellout was a happy harbinger; although New York usually initiates fashion trends, the big town is not as big a hat town as St. Louis, San Francisco, Boston, Washington or Chicago...

Author: /time Magazine | Title: Fashion: A Lift for Flattops | 4/23/1965 | See Source »

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