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Word: scarlatti (lookup in dictionary) (lookup stats)
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...Jarry, an absinthe-minded playwright who carried a revolver and once shot down "some obstreperous nightingales." Oddest of all was Gerald Berners, an English lord who had a tiny piano built into his Rolls, and would flash a white mask at villagers, whose terror grew as ghostly strains of Scarlatti wafted from the disappearing...

Author: /time Magazine | Title: Books: The Abominable Snowoman | 11/16/1959 | See Source »

Eighteenth Century Recorder Music (The Recorder Consort; Classic Editions). Charming, lively chamber works by Alessandro Scarlatti, Jean-Baptiste Loeillet (1680-1730), Georg Philipp Telemann (1681-1767) and Bach, proving that the flutelike recorder, usually belittled as an amateur's instrument, can be as stimulating a voice as any woodwind...

Author: /time Magazine | Title: Music: New Records, Sep. 14, 1959 | 9/14/1959 | See Source »

...baritone-soprano duo, a dramatic monologue by a man who told the stirring story of a 41-year-old doughnut, a book reviewer, a man showing a travel film on Texas. Biggest hit: an obviously talented 17-year-old Korean pianist named Tong II Han, whose fluid performance of Scarlatti and Chopin sent the audience into a dither...

Author: /time Magazine | Title: THE ROAD: Ladies' Day | 5/11/1959 | See Source »

...shorter works, Hindemith's "Five Pieces for Orchestra," Op. 44 and Scarlatti's "Sonata a Quattro" in d minor, followed the Bach. The fast parts of both these compositions were well handled by the orchestra. Yet, a more expressive and tender approach seemed in order for the slower Hindemith pieces while more majesty could have been suggested in the second movement of the Baroque "Sonata." The disappointment in these passages seemed to be due to an incomplete understanding of the music on Harbison's part. He continued to emphasize rhythmic vigor when the works really required more attention...

Author: NO WRITER ATTRIBUTED | Title: Bach Society Concert | 5/5/1959 | See Source »

...Segovia audience is usually distinguished by its youth and its air of spellbound intensity. Last week, as usual. Segovia played pieces by early, little-known composers, as well as such familiar masters as Bach and Scarlatti, then offered several contemporary works. His six-stringed instrument sounded at times with the shimmer of the harpsichord, at times with the dryly plaintive quality of the lute. Throughout, the instrument's miniature sounds were punctuated with moments of deep, suspenseful silence...

Author: /time Magazine | Title: Music: Master Magician | 3/23/1959 | See Source »

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