Word: scarlet
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...black Rolls-Royces drew up to a pier in Monaco, disgorged recently divorced Shipping Czar Aristotle Socrates Onassis and his great and dear friend, sulphurous Soprano Maria Callas, legally separated from her husband. A scarlet speedboat skittered them out to Onassis' yacht Christina. On the eve of sailing for Eastern Mediterranean ports, "Ari" and Maria went ashore for dinner with Monaco's Prince Rainier III and Princess Grace. Next day Christina steamed off across the azure waters for Capri, and from there she was bound for Venice, where Maria would presumably debark to keep a recording date...
...better family background, and probably far better schooling, than the anti-Shakespearean theorists usually concede. The Shakespeares were Warwickshire farmers, but Will's father, ambitious John, moved to Stratford and became a glover. He was one of the town's official aletasters, and donned the scarlet robes of high bailiff, or mayor, when Will was four. The boy presumably went to Stratford's King's School -no doubt unwillingly, since the schools of the day consisted of Latin drill, long hours (7 a.m. to 5 p.m., often longer in summer), and Spartan discipline...
...sold out at that petty price." The title piece of Food for Centaurs is a superlative action shot of Graves in the fine, frenzied throes of a theory. By some recondite detective work, he reaches the conclusion that the centaurs' food was mushrooms. It was a very special scarlet-capped European mushroom, known as the fly-amanite. According to Graves, this mushroom is fiery to the taste, imparts extraordinary muscular strength and creates overpowering sexual desire...
When they are not, in Fiedler's view, "infuriatingly boyish," the masterworks of U.S. fiction, e.g., Moby Dick, Huckleberry Finn, The Red Badge of Courage, are sexless. Even in The Scarlet Letter, the "A" might as well stand for anticlimax, for all passion is spent before the novel begins. Instead of depicting love and marriage, the U.S. writer customarily projects a spectral landscape dominated by death, pursuit and flight. The U.S. novel does not derive its power from skill, according to Fiedler, or from its vaunted realism (from Poe to Nathanael West, it is often surreal), but from something...
...came Karandash, Russia's greatest clown, lost in a flapping green suit, grotesque beneath a scarlet wig, riding a donkey fitted with handle bars. He tumbled off, pulled out a hammer and a plate and began a flurry of legerdemain that ended in a sidesplitting snarl of chaos and shattered crockery. In blue tights flashing with gold, the three blonde Balakin sisters spun aluminum hoops in a shimmering blur. To the frantic rhythms of Khachaturian's Saber Dance, the three Gratchevs flung whole tribes of Indian clubs at one another while wobbling on a rope strung between...