Word: scarlets
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...bound from Plymouth in 1831 on a scientific voyage around the world, Robert FitzRoy, her captain, would entertain his officers with readings from the Bible. A painting of such an event is one of the illustrations in Alan Moorehead's book. Depicted as a drab civilian among the scarlet naval persons present, the ship's naturalist, Charles Darwin, also clutches a Bible. The Beagle's Bibles contained an annotation dictated by the Anglican Archbishop Ussher, firmly stating that the Creation began promptly at 9 a.m., Oct. 23, 4004 B.C. After a five-year voyage, Darwin would show...
...LEARNING that The Scarlet Letter, made in 1926 stars Lillian Gish. one begins wondering why it wasn't a project of D.W. Griffith's. The resulting film certainly would have differed radically from the one Victor Seastrom did direct...
...remarkable change of tone and import from Hawthorne's to Seastrom's Scarlet Letter can be traced in the distance between Seastrom's and Griffith's drama. One notices it first in Gish's acting. Her hands, which in Griffith persistently fluttered toward face and breast, are held in more tightly or used actually to grasp people. Seastrom gives their pure emotional energy a real application: Gish's gestures, rather than only expressing her spirit. become actions with physical and specific ends...
...Scarlet Sky. Meister Francke was a dramatic storyteller who created his own style by combining the Gallic elegance of the courtly International Style with the burgeoning, often brutal realism of The Netherlands. Kunsthalle Director Alfred Hentzen spent close to $60,000 to assemble all of the master's few surviving works, as well as a small treasury of related paintings, drawings and illuminated manuscripts by other late Gothic artists borrowed from 43 museums and libraries all over the world...
...unrealized in North German painting. In The Martyrdom of St. Thomas, the kneeling archbishop half turns toward his attackers. Blood streams down his forehead and splashes onto his white cassock; his miter rolls away across the tile floor. The decorative flatness of Thomas' cope and the star-spangled, scarlet sky are in striking contrast to the bold modeling of his face...