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...unknown in the works of our novelists." There are memorable figures, of course: Hawthorne's Hester Prynne, John O'Hara's Grace Caldwell Tate and Gloria Wandrous, Fitzgerald's Daisy Buchanan, Dreiser's Sister Carrie, Steinbeck's Ma Joad, Margaret Mitchell's Scarlett O'Hara, Nabokov's Lolita, Roth's Sophie Portnoy...

Author: /time Magazine | Title: Where She Is and Where She's Going | 3/20/1972 | See Source »

...heart, and that most of the activity in her writing is diversion from heavier judgements. The photo Saturday Off is of a beautiful young black woman leaning up against the base of a column crossing her arms before her like a springer spaniel, looking rich and sexy as any Scarlett O'Hara. "A piece of body torn off at the roots might be more to the point," is what James Agee and Walker Evans in their Let Us Now Praise Famous Men had to say about the rural south in the thirties. It is difficult to forgive the thirties...

Author: By Tina Rathborne, | Title: One Time, One Place: A Mississippi Album | 12/1/1971 | See Source »

Cleopatra got decked out in a rug, and Scarlett O'Hara, fresh out of frills, went to town in Tara's velvet draperies. Contemporary women can now be almost as enterprising. They can pick from Designer Jenny Bell Whyte's new collection of "Museum Pieces," which gives proof that some of the best fashion around has for years been underfoot, on walls and over windows...

Author: /time Magazine | Title: Modern Living: Museum Fashions | 5/24/1971 | See Source »

Director Billy Wilder once ecstatically claimed that Walter Matthau "could play anything from Rhett Butler to Scarlett O'Hara." For more than a decade Matthau was as unpredictable as his facial expressions: an adamant sheriff in Lonely Are the Brave, a psychopathic killer in Charade, an ambulance chaser in The Fortune Cookie, the libidinous suburban husband in A Guide for the Married Man. Of late, his roles have yielded an amusing but unvarying character: the rumpled crank whose shpeesh shoundsh ash if it wash making itsh way around a shigar. Plaza Suite happily puts him in reverse. In Arthur...

Author: /time Magazine | Title: Cinema: Triumph of a One-Man Trio | 5/24/1971 | See Source »

Vivien Leigh as Scarlett is not quite what Margaret Mitchell had in mind. The book opens with the line, "Scarlett O'Hara was not beautiful." This Scarlett is. So beautiful that every time she has a close-up we are in danger of forgetting what the movie is about. Rarely has an actress invested her beauty with so much variety and expressiveness. Miss Leigh's performance starts in her face and works outward, refusing to compromise Scarlett's bitch-coldness with an appeal to sympathy. War and poverty violently propel her into adulthood, giving her no time to mature; beneath...

Author: By Stephen Kaplan, | Title: Gone With The Wind | 12/6/1967 | See Source »

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