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...Miss Scarlett's the nicest of O'Hava's dotters...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 4/21/1943 | See Source »

...Gestapo thriller, Escape, since the revelation that Novelist Ethel Vance is really Grace Zaring Stone cleared up the biggest U.S. literary mystery of the decade. For three years this mystery caused a stir in U.S. intellectual life equaled only by the agitation over the question: who should play Scarlett O'Hara in the movie version of Gone With the Wind? No doubt the publishers expect this furor will turn Reprisal into a bestseller. But Reprisal is no Escape. The book is a slow-moving study of French life under the Nazis, with drama, romance and coincidences burning sometimes...

Author: /time Magazine | Title: Books: After Escape | 11/16/1942 | See Source »

Drivin' Woman reads like an inspired high-school prize composition packed with cinematic moments. It revolves about a character who may turn out to be the most satisfying heroine since Scarlett O'Hara. America Moncure catches the womanly public coming & going: she is at once a Jezebel, a faithful wife, a W.C.T.U.-pledgee, a patrician, a pauper, a farmer, a mother of ingrate children sired by a worthless husband, a passionate creature, an unsatisfied creature, a high-grade businesswoman. Her hair is "glossy as a fresh-shucked chestnut," and even in old age her "crooked little smile" only...

Author: /time Magazine | Title: Books: Books, Aug. 3, 1942 | 8/3/1942 | See Source »

Edna Ferber is more adroit. Her Creole heroine, Clio Dulaine, is not only beautiful, but hard, in the manner of Scarlett O'Hara and other cut-rate Becky Sharps. Clio takes up with Gambler Clint Maroon: "He was magnificent, he was vast, he was beautiful, he was crude, he was rough, he was untamed, he was Texas." He was also a gambler, but Clio soon seduced him into larger ambitions...

Author: /time Magazine | Title: Books: Two for the Show | 11/24/1941 | See Source »

Plays and best-sellers of recent months have restored the integrated scoundrel to literary popularity. We don't think the Scarlett O'Haras and Sammy Glicks are sound characters from the standpoint of credibility; nor do we agree they are sufficiently rounded to be hailed the modern counterparts of Lady Macbeth. We do admit they make entertaining movie-copy, and--it may be added--plenty of it. In the same vogue are "The Little Foxes," three thorough-going heels now transposed to the screen for one price of admission...

Author: NO WRITER ATTRIBUTED | Title: THE MOVIEGOER | 10/11/1941 | See Source »

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