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...Vivien Leigh. For Cinemactress Leigh Sidewalks of London (made a year or so before Gone With the Wind entered its delayed birth pangs) must have been a dress rehearsal. Liberty (Vivien Leigh), the saucy, thieving cockney orphan, who selfishly climbs to stardom with the help of Charles Laughton, is Scarlett O'Hara's little sister under the grease paint. Smart Director Tim Whelan (Clouds over Europe) succeeds in making the atmosphere so realistically London that U. S. cinemaddicts have some trouble getting through the dialectical...

Author: /time Magazine | Title: Cinema: Also Showing | 3/4/1940 | See Source »

There is little to be gained in singling out the salient details of the film; every feature is outstanding. The scenes are only rivalled by the acting. We have never despised a woman more than Scarlett, nor loved one more than Melanie. We thought perhaps breeding would tell, but for all his Twelve Oaks Ashley is a coward, and despite the Old South, Rhett is not. Each character is faithful to Miss Mitchell's book, and it is these characters which made the book. Although in any large production one expects the main people to be well-done...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 3/4/1940 | See Source »

...because reports had come in "that some rowdies had placed rocks in their snowballs." The South last week was full of frozen pipes and howling winds, but it was also full of snowmen, slides, sleds, and a great sense of novelty. On Peachtree Street, in Atlanta, art students snowsculpted Scarlett O'Haras, painted them with insect sprayers. Although his paper contained stories about oil heaters that had exploded, people who had been hurt in falls, gallant old Frederick Sullens, editor of the Jackson, Miss. Daily News, refused to be downcast, summed up a lot of Southern feeling: "No form...

Author: /time Magazine | Title: WEATHER: Snowbound | 2/5/1940 | See Source »

Bill of Divorce. One reason pert Vivien Leigh (rhymes with Robert E.) got the part of Scarlett O'Hara was because at the right time she was in Hollywood seeing darkly scowling Laurence Olivier. He looks like a swarthy Douglas Fairbanks Jr., is as British as young Douglas Fairbanks tries to be. When Olivier was acting with Katharine Cornell in No Time for Comedy, Vivien Leigh used to nag Director Fleming to speed up Gone With the Wind so she could fly to Manhattan and Laurence Olivier. When Vivien Leigh flew to Atlanta, for the premiere of Gone With...

Author: /time Magazine | Title: Cinema: Hollywood Reel | 1/15/1940 | See Source »

...Scarlett O'Hara was, after all, no model of propriety, so there was little likelihood the suit would damage Vivien's professional career...

Author: /time Magazine | Title: Cinema: Hollywood Reel | 1/15/1940 | See Source »

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