Word: scattini
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...from truly involving the audience. While the scenes in the bomb shelter and the brawl in the mens' room offer welcome relief from the repetitious scenes of man meets women there are simply not enough deviations from the dance floor. And even with particularly strong performances by Monica Scattini and Etienne Guichard, there is simply not enough material to justify two hours of flitrations and rebuffs. By the time we reach the 1950s and the invasion of the "doo-wop" thugs in leather jackets, the end is long overdue...
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