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Anyone familiar with Scenarist Stirling Silliphant's television work (Route 66) knows his fondness for the stereotypic. In L.B. Jones he has added extra fillips: not only are there shuffling old Negroes sassing the massuhs between yassuhs, there are also satanic, mush-mouthed cops who are rapidly replacing the Indian as exemplars of tribal villainy. Mandatory violence is provided by scenes of the forcible rape of a black woman, the throat-slitting of a black man, and the lovingly detailed dens ex machina of a cop chewed to death by a threshing machine. Director William Wyler (The Friendly Persuasion...

Author: /time Magazine | Title: Cinema: Anti-Personnel Weapon | 3/23/1970 | See Source »

...been used to: unlike the descriptive approaches of a Forman or a Menzel, Report is a highly stylized film, philosophically abstract and frankly allegorical. Nemec's earlier work, such as Diamonds of the Night , lacked these elements, so much of the credit for Report must lie with co-scenarist Ester Krumbachova, who also collaborated with Nemec on The Martyrs of Love and with Vera Chytilova on the brilliant Daisies...

Author: By Joel Haycock, | Title: The Moviegoer The Weekend's Movies | 3/21/1970 | See Source »

...Road's peculiar combination of chichi, opportunistic avant-gardism and calculating commercialism makes it far more offensive than the crassest products from either Hollywood studios or the underground. The screenplay is the work of Terry Southern (again), who also acted as a coproducer, Scenarist Dennis McGuire and Director Aram Avakian. The three have taken John Earth's trim, controlled novel about a nervous breakdown in the groves of academe and reduced it to a madman's drool...

Author: /time Magazine | Title: Cinema: Dead End | 2/23/1970 | See Source »

...been observed that Furie's films are more interesting visually than dramatically, but The Lateyer is disbarred on both counts, except for some early von Sternberg-like playing around with shadow. More concerned with the bedroom than the courtroom, the director and his co-scenarist. Harold Buchman, fill the frames with repeated and lingering flashbacks to the blood-splattered walls and victim, and force-feed the characters into continually exchanging one-liners as if they were Frisbees. Occasionally, Furie shows the Silent Majority homestead in its most ludicrous light (the inquest is held outdoors in a livestock exposition arena...

Author: By Clifford Terry, | Title: The Moviegoer Sound and Furie "The Lawyer" at the Saxon | 2/11/1970 | See Source »

...fact, the filmmakers make a point of stressing the similarities between history and their fiction. In a preface signed by Costa-Gavras and Scenarist Jorge Semprun it is announced unhesitatingly that "any resemblance to persons living or dead is not coincidental. It is intentional...

Author: /time Magazine | Title: Cinema: Echo Chambers of Horror | 12/5/1969 | See Source »

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