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...firsthand about life, men, sexual fulfillment and social betterment in the turbulent years between commencement day and the beginning of World War II. The film omits some of the minor evidence against them and succeeds as a suds opera far superior to the ordinary household brand. Sharply written by Scenarist Sidney Buchman, it is directed with lively, Roosevelt-period flavor by Sidney Lumet and played with giddy, gossipy, delicious girlishness by a group of captivating young actresses who rediscover the '30s like Junior Leaguers unleashed at an antiques fair...

Author: /time Magazine | Title: Cinema: Something for the Girls | 3/11/1966 | See Source »

Ignorant Texans are the targets, and Scenarist Hellman blows the lid off a snake pit of contemporary evil when the town's bad boy, Bubber Reeves (Robert Redford), escapes from prison and heads home to settle scores among a scroungy lot of drunken, wife-swapping, white-collar workers who carry their pistols to parties of a Saturday night. "Shoot a man for sleepin' with someone's wife?" cries a roundheeled young matron, Janice Rule. "Half the town 'ud be wiped out." Poor Bubber's Mama (Miriam Hopkins), cast as Parental Guilt, hysterically accepts blame...

Author: /time Magazine | Title: Cinema: Texas Twister | 2/25/1966 | See Source »

...dialogue, or sudden, almost surrealistic glimpses of the movie colony as a darkly gleaming horror-fantasy controlled by elegant zombies. But Hollywood self-satire is also a corridor of mirrors where movie makers are apt to start cringing at their own shadows. In adapting his novel to the screen, Scenarist Gavin Lambert softens the tone of merry irreverence and moves the action back to the comfortably distant 1930s. And Director Robert Mulligan never quite decides whether to play for heartbreaks or black humor. The strain tells on Robert Redford, a deft actor, miscast as Daisy's neurotic, one-night...

Author: /time Magazine | Title: Cinema: Gingerly Satire | 2/25/1966 | See Source »

Heat, thirst, mounting casualties and mutual distrust corrode the men's nerves, and the dialogue provided by Scenarist Lukas Heller is full of sting. Producer-Director Robert Aldrich, cool as a vulture, all but dawdles over these verbal wounds, as though choosing his victims for the violence to come. The shocks occur when least expected, notably in the delicate prologue and grisly aftermath of an encounter with a band of Arab cutthroats. An occasional wheeze of sentimentality, even a needless mirage sequence featuring Dancer Barrie Chase, are minor lapses. Most of the time, Phoenix flexes its muscles...

Author: /time Magazine | Title: Cinema: Man-Made Myth | 2/4/1966 | See Source »

...Pasternak's novel, the love story of Yuri Zhivago (Omar Sharif) and his Lara (Julie Christie) was part of a vast canvas of war, revolution and social upheaval. Scenarist Robert Bolt has condensed much of this story through a narrator, Yuri's Bolshevik brother (Alec Guinness). The device seems awkward at times, but the flashbacks spring vividly to life on their own. The couple's first wordless encounter takes place aboard a tramcar in Moscow, and the headlong rush of their interwoven destinies is a subtle, unifying symbol of Zhivago. Trains wail along outside the house where...

Author: /time Magazine | Title: Cinema: To Russia with Love | 12/31/1965 | See Source »

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