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...sets are fun, and properly improbable. Not many of the situations in the script can be found in the book, but Scenarist Walter (Titanic) Reisch has at times improved on the master himself. Producer Brackett's dialogue has a Vernal freshness and LIFE Science Writer Lincoln (The World We Live In) Barnett, retained as a technical adviser, has shrewdly inserted his scientific facts so as not to impair the general implausibility. On the whole, the film seems sure to enhance Author Verne's reputation as the best dead writer Hollywood ever had. In the last five years three...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 15, 1960 | 2/15/1960 | See Source »

Rosemary (Roxy Films; Films-Around-the-World), the work of two talented men of West Germany's "left-out Left," almost (but not quite) comes off as the Dreigroschenoper (Threepenny Opera) of the fat '50s. Director Rolf Thiele and Scenarist Erich Kuby have lifted their plot from some recent accounts in Germany's tabloids of the gay life and ghastly death of Rosie Nitribitt, a high-class floozy of Frankfurt who opened her door to dozens of West German millionaires but couldn't keep her mouth shut, and so one night was strangled with a pair...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 8, 1960 | 2/8/1960 | See Source »

...County Courthouse at times seemed like a Hollywood set. Recruited to provide reportorial bylines and sidelights on the murder trial of Dr. R. Bernard Finch and his well-molded mistress, Carole Tregoff, both accused of slaying Finch's wife, were portly Producer Al (High School Confidential) Zugsmith, Novelist-Scenarist Irving (I Was a Teen-Age Dwarf) Shulman, Actresses Pamela (The Upturned Glass) Mason and Terry (Mighty Joe Young) Moore. Explained Terry Moore: "I'm doing it in preparation for a role in Girl on Death Row-and by the way, the girl is innocent." Against such amateurs...

Author: /time Magazine | Title: The Press: Working Newswoman | 2/1/1960 | See Source »

Great credit goes to Producer Zimbalist, Scenarist Tunberg and Director Wyler, but the greatest belongs to Wyler. His wit, intelligence and formal instinct are almost everywhere in evidence, and he has set a standard of excellence by which coming generations of screen spectacles can expect to be measured. His virtues have been agreeably rewarded. Friends report that his percentage-of-profits deal with M-G-M will put him on easy street for the rest of his life. But it is probable that MGM, which was in a shaky financial spot when the project was launched, will not have...

Author: /time Magazine | Title: Cinema: New Picture, Nov. 30, 1959 | 11/30/1959 | See Source »

Shown in France, the picture delighted the public, astonished the critics, won the 1959 Grand Prix at Cannes. Part of its appeal, no doubt, derives from the timeless charm of the old legend itself, which Scenarist Jacques Viot has adapted simply and gracefully. Orpheus is a Rio streetcar conductor; Eurydice is a village girl who comes to the big city to visit her cousin and to escape from a sinister stranger who wants to kill her. They fall in love and go down to the city together to celebrate the carnival in the streets. There her enemy, who is Death...

Author: /time Magazine | Title: Cinema: New Wave | 11/16/1959 | See Source »

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