Word: scenarists
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...Producer George Englund came to them with an idea for a story set in gambling casinos, they recruited Paul Erdman (The Crash of 79) to write the novel. A few weeks later, Erdman had contracts worth seven figures from Warner Bros, and Simon & Schuster. He is now feeding a scenarist pages of the novel as he completes them...
DIED. Darryl Zanuck, 77, imperious production chief at 20th Century-Fox for 35 years and a thousand films; of pneumonia; in Palm Springs, Calif. The cigar-chomping, polo-playing mogul got his Hollywood break when Warner Bros, hired him as a $250-a-week scenarist for Rin Tin Tin. In four years he was head of production at 20 times that salary. Warner's Wunderkind brought dialogue to feature films (The Jazz Singer, 1927) and pioneered such realistic genres as the gangster and "working gal" films. In 1933 Zanuck and United Artists Head Joseph M. Schenck formed 20th Century...
...YORK the air breathes back at you. Along 45th St., in the heart of the theater district, the limousines queue up at the curb like a funereal parade. As if staged by some cynical scenarist, a drunk's reflection appears in the shiny black of one of the cars. He ambles slowly, his image distorts as it sweeps over the doors, door handles, smoked windows and tail lights of one limo and forms again on the next, moving down the line until it drops off, lost in the gutter. Across from the Royale Theater, where a golden marquee has promoted...
...Scenarist Weller is best known for Moonchildren, his fine, reflective play about lost renegades of the '60s. He has written Hair as a witty cross between A Midsummer Night's Dream and the 1949 MGM musical On the Town. The story begins as Claude (John Savage, of The Deer Hunter), an Oklahoma farm boy, arrives in Manhattan for a final day of liberty before induction into the Army. Like the World War II sailors of On the Town, Claude plans to take in the tourist sights, but he is quickly seduced by more hedonistic pleasures. Falling in with...
...earth, becoming the object of a very noisy hue and cry in England before she was found, volunteering (as she never did) no explanation for the only untoward incident in her otherwise gray tweed life. Actually, the true subjects of this movie, based on a story by Co-Scenarist Tynan, are cloche hats, potted palms, brass-and wood-fitted motorcars and, above all, the manners, styles and quaint equipment to be found a half-century ago in an expensive health spa like the one where Christie went to ground. These Director Apted photographs with a dreamy yet intensely curious...