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Word: scene (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...equally good. As the effeminate killer, Jean Desailly is babyish and hysterical; Annie Girardot and Lucienne Bogaert as his wife and mother respectively are just demonic enough to explain his mental condition. In his short role as the gigolo, Gerard Sety is amusing and properly nervous in his frank scene that is the comic high point of the film...

Author: By Alice E. Kinzler, | Title: Inspector Maigret | 12/14/1959 | See Source »

...best sense, the Connery-McLaughlin operation was an example of TIME journalism. From the man on the scene had come a knowledgeable, fact-filled report to be handled by a skilled writer who on his own time has written short stories and three novels (latest: The Notion of Sin), and who could, out of his own experience, make contributions to what TIME hopes Indira Gandhi will consider an accurate portrayal of changing India...

Author: /time Magazine | Title: A Letter From The Publisher, Dec. 14, 1959 | 12/14/1959 | See Source »

...Early morning in the universe," says Narrator Kerouac at the outset, by way of scene setting. On the screen, a beautiful but weary woman opens the shutters of her pad. (She is played by Delphine Youngerman, who calls herself Beltiane.) Outside is Manhattan's Bowery; inside are her little boy and, hung on a chair, her absent husband's "tortured socks...

Author: /time Magazine | Title: ENDSVILLE: Zen-Hur | 12/14/1959 | See Source »

...subject matter than with form. Had Silent Night been not a full play but a longish one-acter, it might have had a special appeal. It could, just long and lyrically enough, have chronicled a meeting and sustained a mood-and with no tossed-in newlyweds, no shaky final scene. Unfortunately, as a one-acter it would not fit the Broadway scheme of things, though as a full-length play it scarcely fits it either...

Author: /time Magazine | Title: The Theater: New Plays on Broadway, Dec. 14, 1959 | 12/14/1959 | See Source »

...always cutting class. Novelist Nathalie Sarraute, dean of women of the French school known as the New Realist, inveighs against psychological novels, yet psychologizes in her own works. Her cofounder, Novelist Alain Robbe-Grillet, is an object worshiper who would rather describe a love seat than a love scene; yet this is not consistently reflected in the novels of his disciples. They do have some common characteristics, notably a way of writing in flat tones of a world that is bleak arid joyless, where people lead lives hollow of meaning, sensing dimly-or failing to sense-that they are victims...

Author: /time Magazine | Title: Books: Surface Without Depth | 12/14/1959 | See Source »

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