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Consider when Zuckerberg rails at Eduardo L. Saverin '05, Facebook's original CFO, who in this scene has just frozen the company's bank account (and at the moment is mildly preoccupied with a matter of life-and-death...

Author: By Michelle L. Quach | Title: Facebook: The Movie | 9/20/2009 | See Source »

...central scene in Todd Solondz's 1998 drama Happiness was a bedroom conversation between a man and his 11-year-old son. Because the boy was frustrated that he hadn't achieved his first orgasm, and the father was a child molester, it hit audiences like a jolt of electroshock therapy. Eleven years later, Solondz returns to this extended family - three sisters and the men and kids in their lives - but with a new cast...

Author: /time Magazine | Title: Five to Watch from the Toronto Film Festival | 9/19/2009 | See Source »

...quieter, more formal movie than she is accustomed to. His prior academic studies of sculpture seem influential in his directorial style; every shot of his is remarkably crafted. His frames are horizontal and narrow; the top of each seems to barely avoid truncating the upper limits of the scene, creating a kind of uncomfortable intimacy for the viewer. The camera shots are still and never shift focus from the characters, allowing the viewer to take in the precise symmetry of the scenes and precluding any sense of detachment. Bricks, fences, and roads often form patterns of strong lines behind...

Author: By Shijung Kim, CRIMSON STAFF WRITER | Title: My One and Only | 9/18/2009 | See Source »

...actresses, Willis seems incapable of portraying genuine emotion of any kind, be it fear, bravery, or anxiety. The sorority girls’ dialogue seems rather uncharacteristic of “best friends” but serves at least to break up the painful cycle of party scene to death scene and back to party scene. Insults like “You make being a bitch an art form” aren’t making it into the lexicon anytime soon, though certain occasions might call for them. The males are even less realistic. “Sorority Row?...

Author: By Brianne Corcoran, CRIMSON STAFF WRITER | Title: Sorority Row | 9/18/2009 | See Source »

...reminders of early 90s technology. Even Whitacre’s paranoid fantasies are very much a product of his decade; at one point he compares his own situation to that of Tom Cruise in “The Firm,” which opened in 1993. In nearly every scene, the screen is bathed in brown and yellow tints, adding to the warm, nostalgic feel of the movie.Unfortunately, the comedy of Whitacre’s free association wears off over the course of the film. As it becomes apparent that Whitacre is leading more than one kind of double life...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: The Informant! | 9/18/2009 | See Source »

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