Word: scenes
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Dates: during 1950-1959
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...sister, "I want to rest! I want to breathe quietly again! But this line is delivered as though by a tired prostitute, and not by a woman with a sincere desire to escape from her past and begin life anew with the security of marriage. Likewise, the scene with the young bill collector is completely lacking in lyric quality and only the primitive element is played. The way in which Miss Humphrey delivers, "I've got to be good--and keep my hands off children," using her lower register and a drunken slur, is strongly reminiscent of Tallulah Bankhead. There...
Miss Humphrey's performance, within the range of Mr. Rabb's interpretation, is carefully etched and compellingly played. Her drunk scene with Mitch towards the end of Act II is excellent. Standing in the middle of a large brass bed, she cries out her soul like an hysterical child, desperately pleading for magic magic, not realism. She can give you the virgin-like innocence of a child one minute and the drunken swagger of a two-bit slut the next. There is a fine Blanche latent here! There are some strang inflections and an unusual clipped speech that often give...
...year ago, when Nehru talked of stepping down from office because he was getting "flat and stale" and querulous, his ruling Congress Party begged him to remain at the helm. Congressmen cried: "Panditji, you are leaving us orphans!" and Nehru had consented to remain in office. Leaving this emotional scene, one Congressman, who had joined in the sycophantic clamor, said to another: "The farce is over. Let's go home and laugh...
Britain's immaculate Tailor and Cutter Magazine surveyed the international scene, issued a list of the world's best-dressed males. Among them: Yugoslavia's Marshal Tito ("the ritziest looking dictator in the world"), Richard Nixon ("a neat line between the wigwag shapes of U.S. drape and the ludicrously tight togs of U.S. Ivy Leaguers"), durable Hoofer Fred Astaire ("one of the few Americans who can wear a suit of tails"), Cinemactor Rex Harrison ("the best British answer to the Italian look"), Douglas Fairbanks Jr. ("British taste and American imagination"), Plutocrat Nubar Gulbenkian...
...scene last week was The Embers in Manhattan, but it could have been anywhere along the big-time jazz belt that stretches from New York to Chicago's London House to The Sands in Las Vegas. Slowly the tide of conversation washes back through the murky rooms, slowly Jonah works his muted way through the numbers his fans want to hear-Rose Room, 76 Trombones, Too Close for Comfort, and his signature, Mack the Knife. Throughout, Jonah juggles the symbols of his success-the bagful of mutes through which he makes his trumpet whisper and wail, growl, shiver...