Word: scenes
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Dates: during 1950-1959
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...herring," said one Hayes intimate. "The trouble was between Kim and Helen." Old Pro Hayes was sorely tried by the Method in Kim's acting. "I don't feel like being touched tonight," said Kim before one performance, and so a tender mother-and-daughter scene was played without a caress. Another time, Helen Hayes was quoted as saying, "I got two elbows down my throat from the girl...
...empty faces. In the first tableau Orpheus (danced by Choreographer Béjart) was transformed by turns into a snarling tiger ("His loins," says the program, "are heavy with solitude"), an arm-flapping eagle, a scared rat ("His heart is full of holes, like a cheese"). In a later scene he encountered assorted characters, including Romeo and Venus, who stepped from a giant pearl shell in a flesh-colored leotard. At one point he joined Death in a game of cards, with Eurydice's midriff serving as table. The deafening last scene found Orpheus hanging by his heels from...
...with small but sharply accurate insights-how a man feels when he pointlessly watches a girl on the street, the horribly impersonal service in a funeral parlor almost too antiseptic to admit the image, "dust to dust." Sex itself ends in the kind of disgust that makes both the scene and the act seem like an aspect of earned punishment...
...nice place for people to meet, leave trash, vow eternal friendship and go their ways." So spoke Northeastern University's Professor Everett Marston of Duxbury, Mass, one day last week. Duxbury (pop. 4,280), like many upper-middle-income bedroom communities that sprawl around Boston, is the scene of a new form of social phenomenon-somewhat like the old town pump-that is coming to full flower in New England. In Duxbury's town dump, as in Lincoln's, Hingham's and Wayland's, local citizens who can well afford to pay for garbage removal...
...boredom or claustrophobia. Nazi boots clump on the cobblestone sidewalks, and the heehaw of the paddy wagon siren sounds in the night; from their window the fugitives watch, horrified, as the greengrocer across the street, and the two Jews he has been harboring, are hauled off. In a scene more tension-packed than anything Alfred Hitchcock ever devised, two Germans search the factory by night after a burglar has broken in. As the refugees huddle breathlessly in the loft, the suspicious Germans stretch out their investigation for long, agonizing minutes. As they prowl, Stevens' camera flashes to a shot...