Word: scenes
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Dates: during 1960-1969
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...other correspondents and then returned to New York with pen in hand once again. The I-am-a-Camera section is the result of a personal odyssey by Los Angeles Correspondent Tim Tyler-a Californian of 22 months. It was a voyage of discovery for Tim. "For the surfing scene, I just had to try it myself," he says. "And I grew to hate those half-pint kids who kept zipping by me while I missed every wave. In Yosemite National Park, my rented pickup camper was surrounded by bears as soon as I arrived, which is why I didn...
...adventure had cut too deep in his memory, and into what was more than mere memory . . . cut beyond all the good sense and reasonableness that made life seem worthwhile-or even tolerable." Matt finds his dark face-his hostile violent face-"a monstrous obtrusion on the relatively bright scene that was reflected all around...
...York stage currently offers John Osborne's A Patriot for Me, Mart Crowley's The Boys in the Band and John Herbert's Fortune and Men's Eyes, a 1967 drama about prison life. Revived last week in a new production, it has been rewritten so that a scene of forcible sodomy that used to take place out of the audience's sight is now grimly visible (though simulated). In movies, too, homosexuality is the vogue: Staircase, starring Rex Harrison and Richard Burton, Midnight Cowboy and Fellini's forthcoming Satyricon. On the lesbian side there are The Fox, Th?...
...17th century printing processes, Rembrandt continually reworked his etchings to find a more expressive image, By emphasizing the changes he made on a single plate, the exhibition currently at the Boston Museum of Fine Arts shows the evolution of impressions from the same print. Though each landscape or biblical scene is complete in itself, it forms a step in the growth of the artist's progressive conception of a print. This small but awesome exhibition, Rembrandt: Experimental Etcher, honors the artist by following his creative process...
...described people the way we see them-all ages and sorts-and our eyes trust his images. Often unable to articulate his feeling in a line, he immersed a scene in a shadow. Some of the prints, like "The Adoration of the Shepherds: A Night Piece," are almost completely black. A box-like lamp, held by a shepherd sends light shimmering through the mesh of lines on the surface of the paper. Only the faces glow from the mysterious night in the stable. The artist expressed the wonder of the people present by unifying them in darkness...