Word: scenes
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Dates: during 1960-1969
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...central characters. Browning, the Don. and Hod all emerge unscathed by the events of the book-as if. after The Man Who Cried I Am, Williams wanted to write a book that would end happily, or at least, not tragically. At the novel's end, the domestic scene is still exploding and another perhaps final international war (the United States versus China) is imminent: but the central characters have been removed from the scene of action to one of relative tranquility. This decreases the story's overall intensity...
Another new weekly variety series, ABC's Music Scene, rattles with vibrations of Your Hit Parade, Hullaballoo and Laugh-In but bears a few promising new wrinkles. For one, the show does not commit itself to endless and eventually monotonous replays of the same top seven songs every week, as did Hit Parade. Instead, Music Scene tunes are picked from any place on any of the Billboard "Hot 100" or bestseller charts (soul, country, "easy listening"). On opening night the producers shrewdly mixed things up, booking Tom Jones, James Brown and Buck Owens-plus the Beatles. Between numbers...
...Boston was the scene of a long-awaited confrontation. The Government was pitted against "the peace movement" in open court. The charge was one of conspiring "to unlawfully, knowingly and willfully counsel, aid and abet" draft resistance. To make the conflict sharper still, the five defendants were all extremely reputable, particularly Benjamin Spock, the world's foremost and beloved baby doctor, and William Sloane Coffin, Yale's conscience-driven chaplain. They were, in fact, precisely the kind of men whose voices are supposed to be heard on key issues in a free society. Yet their voices had allegedly...
...fact, throughout the whole movie the cameraman is dropping these little scene-ending. one-line bombs. There's a scene in Washington at Bobby Kennedy's funeral. Cameraman says it was really easy for all them to set up and get ready for this one because they had practice...
...medium. McLuhan tells us; that is it's a total experience. Medium Cool is less than a total experience: we can really feel the editing, the presence of the director, and the techniques he's using. It's full of dialogue hanging over from a just finished scene or anticipating one to come, and overly arty shots of the boots in the mud of Tent City-all used without much purpose. And, like the TV news, we feel we're seeing snipets of possibly limitless footage about what the cameraman's whole life is like...