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Word: scenes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Forget about that scene in the movies when the pin-striped boss looks at the usually prim secretary and exclaims, "Why, Miss Smith-Mary-you have taken off your glasses!" Nowadays, it is likely to be a Ms. who is doing the noticing. The woman boss, once a corseted cliche in man-tailored suits, has begun to win a reputation for eying the boys in the office. That is the conclusion of a study by two U.C.L.A. psychologists, Barbara Gutek and Charles Nakamura, called "Sexuality and the Workplace." Men, they report, have joined women as victims of sexual harassment...

Author: /time Magazine | Title: Business: Executive Sweet | 10/8/1979 | See Source »

Fate, working through coincidences, performs several kinds of malevolent interventions. In one brilliant scene. Jade's father, walking in Manhattan, spots David across the street and rushes after him in a rage; he is crushed to death in the traffic. Among other things, the book could be read as a grand parody of the idea that the course of true love never runs smooth. At last, David ends in jail, for breaking parole, if not for shattering all the lives around him. Jade vanishes into the oblivion of an unknowable domestic life with another man, a subsiding into reality...

Author: /time Magazine | Title: Books: Torch Song | 10/8/1979 | See Source »

...capable of holding his twisted, demonic drives in check with a keen intelligence. No moment in the opera was more splendidly sung or powerfully acted than the second act S i, pel ciel, with Otello looming over him with upraised hand, like a malign marionette master. In this scene Verdi transcended Shakespeare, said Shaw. Watching Domingo and Milnes, one could only agree...

Author: /time Magazine | Title: Music: The Met, the Moor and the Eye | 10/8/1979 | See Source »

...ciel is one of the biggest climaxes in a score that sometimes seems to be nothing but climaxes. But Verdi and Librettist Arrigo Boito knew that after the massive choral scene in Act III, enough was enough. Hence the rightness of the subdued, wistfully melancholy fourth act, a sort of spacious postlude. This act is Desdemona's great moment. Soprano Gilda Cruz-Romo made the most of it, although in the earlier acts her singing had somewhat lacked color and shading. Poignant and dignified, she spun out the Willow Song and Desdemona's final prayer in long, crystalline...

Author: /time Magazine | Title: Music: The Met, the Moor and the Eye | 10/8/1979 | See Source »

Stanhouse, who pitched erratically but effectively for the Orioles this season, came on the scene and allowed the Angels to close the gap to one run, but came through in the clutch as he has all season...

Author: NO WRITER ATTRIBUTED | Title: Birds Take Second Game, 9-8, May Eliminate Angels Tonight | 10/5/1979 | See Source »

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