Word: scenes
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Dates: during 1980-1989
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READ any of the latest scholarly journals and you'll notice a growing consensus among observers of the international scene that it's time for the U.S. to reduce its commitment to NATO. More than echoes of the traditional cries for greater "burden sharing" among our allies, an increasing array of academics are calling for a long-term "devolution" and pullout from our commitment to defend Western Europe and Japan, while arguing that a failure to do so will lead to long-term American decline...
...sees him at full stretch in Sleep, the painting of two life-size lesbians entwined on a bed. It proves the impossibility of distinguishing, at a certain level, between pornography and art. The painting has little to do with lesbian perceptions of sex: it is a seraglio scene, an enactment for men's eyes only. But despite the corniness of the flowers and pearls that allegorize Luxury, the creamy rose of those bodies, shadowed with olive and held within the complicated machinery of the pose, is a breathtaking pictorial achievement...
...into a TV style. Geraldo Rivera continues to test the bounds of tawdry sensationalism. Phil, Oprah and Sally Jessy race to outdo one another in pursuit of the odd, the aberrant and the kinky. But something even more bizarre and audacious is about to appear on the talk-show scene. Make way for . . . the nice guys...
...current offerings. Hall's show also will reach 90% of the country with its lineup of independent stations. But producers and network executives are busily trying to lower expectations. "It's foolish to think you can knock off an institution like Carson just because you arrive on the scene," says CBS vice president Michael Brockman. Asserts Lucie Salhany, president of Paramount's domestic television division: "We're not out to get anybody. There's room for us all." Can this be the beginning of a kinder, gentler late night? Stay tuned...
...kung fu scuzzathon. The film imagines that the FBI imported a free-lance black operative to terrorize the town's mayor into revealing the murderers' names. Taken (like much else in the picture) from a report in William Bradford Huie's 1965 casebook, Three Lives for Mississippi, the scene invariably gooses a cheer out of its audience -- almost a rebel yell. But its grizzly machismo represents an '80s-movie solution to a '60s for-real enigma: Dirty Harry beats dirty laundry...