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...obsession with setting hints at the true significance of “Silk Parachute”: collected, these essays reveal not only a stunning attention to detail, but also the degree to which McPhee is steeped in the world in which he was raised—the intellectual scene of the American Northeast. When he writes that “Los Angeles might as well be Tokyo” in the East Coast-centered world of lacrosse, he could easily be talking about himself; his entire oeuvre could well be seen as an unsuccessful attempt to escape this cultural milieu...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: John McPhee’s ‘Silk Parachute’ Is an Uplifting Triumph of Style | 3/23/2010 | See Source »

College administrators say that students should not view the requirement to withdraw as a punishment, but as an opportunity to retreat from the frenzy of the Harvard scene and reflect on their misdemeanors and life goals...

Author: By Melody Y. Hu and Eric P. Newcomer, CRIMSON STAFF WRITERS | Title: Forced Withdrawals Come Under Fire | 3/23/2010 | See Source »

...severed hair at a birthday party, the consequence of a pernicious schoolgirl prank. This trauma pierces through the narrative’s overall angst because of the sincerity of Lauren’s anguish. Both of these moments are acutely upsetting, though perhaps the most memorable and tear-jerking scene is the film’s last...

Author: By Lillian Yu, CONTRIBUTING WRITER | Title: Remember Me | 3/23/2010 | See Source »

...first scene of director Emmett Malloy’s White Stripes documentary, “Under Great White Northern Lights,” a confused fan stumbles up to the camera and asks, “Where’s the show, guys?” For a film about one of the most perplexingly idiosyncratic, mannered, and sincere bands going, this question perfectly summarizes the sentiments of the audience as they sit through 93 minutes of tour footage where the band members never quite reveal the pretense—or if there even is a pretense—behind...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: The White Stripes | 3/23/2010 | See Source »

...impassioned concerts in diverse and bizarre venues. Jack and Meg begin each show, after brief bag pipe introductions, by marching straight onto stage (or lane, in the case of a concert at a bowling alley), picking up their instruments and playing without preplanned tempos or set lists. In one scene, the band takes the stage only to play one note before walking off. In another, they trade songs with Inuit elders, who nod off in time to the blues stylings of Jack. Throughout the film, the Stripes blaze through their 10-year catalogue, now rife with hits, accelerating and decelerating...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: The White Stripes | 3/23/2010 | See Source »

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