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...long ago, the spectacle of fashion was in the fabric, not the celebrity-filled front row. The material mattered more than the scene???more than the next It handbag. I remember visiting Yves Saint Laurent's studio for an haute couture preview when the designer himself was still working, fitting dresses on models. Saint Laurent and his aide-de-camp Loulou de La Falaise were yanking huge bolts of color-saturated Abraham silk down from the shelves and spinning out a fantasy scene of a hot summer day in New Orleans circa 1860, complete with big taffeta skirts and wide...

Author: /time Magazine | Title: Miuccia Prada's Material World | 3/1/2007 | See Source »

...Jane?so much so that Jane says, "I couldn't help fantasizing what would have happened if she and my dad had become lovers 40 years ago, and Kate had been my mother." It was Hepburn whose daunting presence made Jane realize she would have to perform a key scene???a difficult backflip into Golden Pond herself?without a stunt woman. Mama Kate's lesson: "If a child never learns to overcome its fears it will become soggy...

Author: /time Magazine | Title: Cinema: Two Who Get It Right | 11/16/1981 | See Source »

Martha's trademark is her mouth, literally and metaphorically. Agape with laughter and framed in dimples, it dominates the Washington social scene???cocktail parties, state dinners. White...

Author: /time Magazine | Title: Martha Mitchell's View From The Top | 11/30/1970 | See Source »

Thus a camera view of California. The surfing boys and leggy girls, the hikers and farmers and futurists, the kooks and the activists are all part of the scene???arbitrarily chosen parts, some more valid than others, but all typical and yet unique. The force that binds them together, the soul of California, is the search for a better life carried on by 20 million individuals, a tenth of the U.S. population. The will-o'-the-wisp?Californism?propels the matron to the massage parlor, impels the petitioner or protester to demonstrate against smog or close a campus...

Author: /time Magazine | Title: Modern Living: LABORATORY IN THE SUN: THE PAST AS FUTURE | 11/7/1969 | See Source »

...lacks method, its plot lacks plot. Most of the time Dye struts lungingly across the stage bellowing who he is?a helpful move for latecomers who can't read their programs in the dark, but rather trying on those who are punctual. The play slowly creeps to its big scene???a revival meeting where Rocky Comfort gets religion and writhes on the floor like so many small boys trying to get as dirty as possible rolling...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Feb. 7, 1938 | 2/7/1938 | See Source »

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