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Chicagoans have endured-and some have even enjoyed-some strange music recently. They have heard the sounds that Milhaud and Hindemith make, and last week they listened to the weirdest of all, the dissonant music of Austrian Arnold Schönberg, the father of atonality. The Pro Arte String Quartet worked its way through the composer's cacophonous String Quartet No. 3 and then played his familiar Transfigured Night, which he wrote in 1899, before he ran off the melodic rails. When Quartet No. 3 was over, the loudest applause came from the sixth row, where lively, gnomelike Sch...

Author: /time Magazine | Title: Music: Calf with Six Feet | 6/3/1946 | See Source »

...Schönberg is convinced that his music is slowly winning public approval. Says he: "There is less resistance. Once I was beaten for my music, now younger men get some of the beating." Of Transfigured Night's belated popularity he crowed: "You see! In 1901 a critic said it was like a calf with six feet, like what you saw at a fair...

Author: /time Magazine | Title: Music: Calf with Six Feet | 6/3/1946 | See Source »

...four lectures last week at the University of Chicago, Schönberg tried to explain, among other things, what his music was up to. Sample: "I always attempted to produce something quite conventional, but I failed and it always, against my will, became something unusual. How right, then, is a music lover who refuses to appreciate music which even the composer did not want to write...

Author: /time Magazine | Title: Music: Calf with Six Feet | 6/3/1946 | See Source »

...Schönberg: Verklärte Nacht" (St. Louis Symphony Orchestra, Vladimir Golschmann conducting; Victor, 8 sides). A melodic tone poem for strings, written before Schönberg got lost in dissonances. Performance: good. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Sep. 3, 1945 | 9/3/1945 | See Source »

...interior was gone. At the Chancellery a bomb had sheered away the room where Dollfuss was assassinated. One wing of the hideous neo-Roman Parliament was burned out. Both the Burgtheater and the Belvedere were in ruins. Franz Josef's Hofburg was scarred but essentially undamaged. So were Schönbrunn and the Rathaus. One bridge remained over the Danube Canal. About 70% of the inner city, where the big stores, shops, hotels, restaurants and public buildings are concentrated, were in ruins or useless because of damage...

Author: /time Magazine | Title: AUSTRIA: Poison Please | 8/13/1945 | See Source »

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