Word: schaefer
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...land, and I was of it and in it and on it and with it. My sonnet was half finished; my soul was a traffic light turning from red to green. It was the time, and I packed a toothbrush and a comb and a cold can of Schaefer beer, and I went to my mother's side...
...swinging Sam gave for me was wild, icy, far out. Nobody moved for hours. We sat on the floor, looking inward, Zenward, sipping our good gold Schaefer brew. Suddenly the door swung open, and a bearded, haunted, serene face appeared, and it was a poet and he had been out there everywhere and he had dug it all and he was back. He knew, man, he knew it and we knew it, that he knew. He was crammed full of Zen-wisdom and his eyes were wise and wild and his whole body was bandaged. He was beat...
...Most Striking Fact." "There is a distinct resurgence of the notion of morality in the law," says Illinois' Justice Walter Schaefer. Reports Indiana's Professor Jerome Hall in the current Virginia Law Review: "The most striking fact about current national developments is the rise of natural law philosophies almost everywhere." Writes Massachusetts' U.S. District Judge Charles E. Wyzanski: "We live in a world where so many revolutions are occurring simultaneously that we clamor for stable principles to which we can anchor faith . . . And nowhere more than in the law is there a demand that we address ourselves...
...Rosemary Harris), then saw his plans go agley in a monstrous inversion of his custom-built plot. Brilliantly adapted for TV by its playwright, Frederick Knott, Dial M was a marvel of mobility, leaped from pub to club to living room with movie-like ease, confirmed Producer-Director George Schaefer as a Hitchcockian master of the telltale closeup shot, and provided a triumphant finish for Hall of Fame's fifth year as a series of drama spectaculars...
...with subtlety, taste and poetic fervor. His unloving lovers were Julie (Joan of Arc) Harris, no stranger to theatrical heights, and Christopher Plummer, the Toronto-born actor who did as well for Costigan as he usually does in Shakespeare. His director was Hall of Fame's skilled George Schaefer. But the playwright had mostly himself to thank for the story, in which the lovers were parted to take their divergent paths. It was as if a theologian-poet had rewritten A Farewell to Arms, replacing its bodies with souls...