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Hotly outspoken ex-priests in the McLoughlin style are the exception today. Far more leave with a deep respect and even love for Catholicism?or at least for what it might be. Keenly disturbing the church is the quality of the exodus clergy. Says Jesuit Sociologist Eugene Schallert, who has just completed a study of 317 departed priests: "Those who are leaving are some of the best men in the church?some of the most intelligent, most enterprising, most charismatic. They are occupationally top men, capable of holding down really good jobs...

Author: /time Magazine | Title: Religion: Priests and Nuns: Going Their Way | 2/23/1970 | See Source »

...Eugene Schallert reports that many priests think they leave to marry but actually leave for other reasons. His survey of ex-priests shows that nearly all of them zealously embraced the concepts of reform introduced by Vatican II. "The person opts for questioning instead of the ready answer, for 'this worldly' rather than 'other worldly' orientation, for personalism over absolutism. He is inclined toward change, but he believes no change is occurring. He finds he does not believe very deeply in the rules of the church." With that, says Schallert, he begins to ask, "Who am I?" He seeks help...

Author: /time Magazine | Title: Religion: Priests and Nuns: Going Their Way | 2/23/1970 | See Source »

...Schallert notes that priests spend "an average of four to five years agonizing over their decision before walking out of the door. They probably spend more time deciding to leave than they spend deciding to enter the ministry. They just don't get mad at somebody and walk out in a huff. The priest who leaves may be frustrated at the difficulty in finding a way to work for the church, but he is not angry...

Author: /time Magazine | Title: Religion: Priests and Nuns: Going Their Way | 2/23/1970 | See Source »

Katherine Hepburn, long nettled by Hollywood's unimpassioned response to her idea of filming Eugene O'Neill's lengthy, incestuous Mourning Becomes Electra, lamented the fact of movie censorship. Los Angeles Times Drama Editor Edwin Schallert reported that "substantially this is what [she] told me": "Really deep consideration of the issue of sex . . . has no chance to be translated onto the screen under the present system of censorship. Yet at the same time, in musicals and other lighter entertainment, you find sex exploited in an intriguing, inveigling, 'peeking' sort of way that is much more...

Author: /time Magazine | Title: People: Casualties | 3/27/1944 | See Source »

...back in the news in Los Angeles. The arm-throwing, hair-shaking shouter, whose I Don't Care made her one of vaudeville's biggest stars in her youth, had periodically been reported near death during the last ten years. Last week she charged that Elza Schallert, a writer at work on her biography, refused to give back her autobiographical notes. Eva wanted the notes...

Author: /time Magazine | Title: People: Entertainers | 10/11/1943 | See Source »

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