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...those little movies set against a big event, like I Wanna Hold Your Hand (how four girls got into Ed Sullivan's theater to see the Beatles) or Love Field (Diane Lane as a JFK fan in Dallas on Nov. 22, 1963). Lee's film is screenwriter-producer James Schamus' adaptation of Elliot Tiber's reminiscence about his small but crucial role in bringing the mammoth concert to his hometown...

Author: /time Magazine | Title: Ang Lee's Woodstock Aberration | 8/28/2009 | See Source »

...film goes. Exhibited largely through a combination of stolen glances and acrobatic bedroom activity, the dynamics ultimately turn repetitive. Additionally, Wong’s character development is lacking. While Wei’s acting is exquisite, the script, co-written by Focus Features favorite James Schamus, fails to make believable her transition from schoolgirl to femme fatale. In an Associated Press article, Lee recognized that American audiences—and box offices—might not react well to the NC-17 rating and subtitles. “Its pace, its film language —it?...

Author: By Erin F. Riley, CRIMSON STAFF WRITER | Title: Lust, Caution | 10/5/2007 | See Source »

...When I was making it, I didn't really care. After the film was done, [Focus Features CEO] James Schamus explained to me what NC-17 means, the distribution, the advertisement, what you're gonna lose. He explained it and that was that. He never said anything else. Everybody at Focus got kind of excited about taking on the battle. They kept saying this year we have other films that will make money...

Author: /time Magazine | Title: Q&A with Ang Lee | 10/2/2007 | See Source »

...heading to Hollywood anymore. One doesn’t have to choose between making movies and learning about them. Connor says this attitude has been adopted in VES: “We try to avoid the trade-off as much as possible.” Polonsky says that James Schamus is more or less his role model. He is the president of Focus Features, a film company where Polonsky has interned. Schamus not only has a PhD, teaches at Columbia, and publishes, but he has also collaborated with Ang Lee to co-write and executively produce “Crouching...

Author: By Cara B. Eisenpress, CRIMSON STAFF WRITER | Title: Alone at the Movie House | 5/3/2006 | See Source »

...Schamus disputes that a chasm exists between big cities and God's country. "This whole red-state-- blue-state thing is absurd," he says. "The film has performed amazingly in Little Rock, Birmingham and Fort Worth, Texas. The fact is, Americans are Americans. There may be places where their politics in the aggregate tilt one way or the other, but do you cross a state boundary and turn into some other kind of animal? No. Americans talk to each other. Americans are listening to each other. And Brokeback is proving...

Author: /time Magazine | Title: How the West Was Won Over | 1/22/2006 | See Source »

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