Word: schavernoch
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Dates: during 1988-1988
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They booed Harry Kupfer in Bayreuth last week. To be sure, they also booed Set Designer Hans Schavernoch and Conductor Daniel Barenboim. But the real invective -- a great, throaty vassals' chorus of opprobrium -- was reserved for Kupfer, the tousle-headed East German director who had committed the unpardonable sin: staging a brilliantly theatrical production of Wagner's Der Ring des Nibelungen that had little to do with musty tradition and everything to do with revivifying...
...Schavernoch's imaginative sets contribute greatly to the production's success. Like something out of George Miller's Mad Max movies, they depict an exhausted world where love can be found only among the ruins and the survivors get by as best they can. Hunding's hut is an underground shelter; Brunnhilde's rock, a barren stretch of moonscape, glowing radioactively. The Rhinemaidens disport themselves among the twisted remnants of what appears to be a power plant (shades of Chereau). It is a gloomy, godforsaken land that well suits the Schopenhauerian concept of pessimism with which Wagner suffused his text...
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