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...Adriana. But with her two numbers--"Falling in Love With Love" and "Sing For Your Supper"--she seems a little uneasy. It also falls to her lot to sing some of "The Shortest Day of the Year," a song which demonstrates Lorenz Hart at his least inspired. Carol Schectman is a singer first and foremost, and even a little below her range, as in "This Can't Be Love," she works with abundant wonders...

Author: By James Lardner, | Title: The Boys From Syracuse | 5/5/1966 | See Source »

...Dance Workshop varied inversely with the number of dancers on stage. In Leonard Bernstein's First Glimpse, a horde of girls stood in place going through fairly standard motions: swinging hips, snapping fingers, waving arms. In a "pas de trois" danced to Richard Rogers' My Favorite Things, only Carol Schectman. Linda Townsend and Walsh occupied the stage, and theirs was the most relaxed and technically the best dance performance of the evening. Miss Schectman especially moved with great ease and grace...

Author: By Hendrik Hertzberg, | Title: Sight and Sound: Jazz | 12/7/1964 | See Source »

...adolescent and pre-Raphaelite Claudio cannot conceivably be guilty of the crime for which he stands condemned. Presumably he hopes to play Hamlet some day; meanwhile he might blow his nose--and get into something roomier than the shockingly indecent tights he has been asked to wear. Carol Schectman gives us a plump-cheeked, milkmaid, Putney-girl Isabella and somehow makes a two-dimensional part seem barely one-dimensional. Jacqueline Winer transforms Mistress Overdone into an inaudible New Orleans madam of the steamboat days; the accents of W.D. Hart's Provost are alternately refined and repulsive; Alfred Guzetti...

Author: By Anthony Hiss, | Title: Measure for Measure | 5/3/1963 | See Source »

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