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...that their fellow opera lovers in the audience of 2,360 could catch their act. All were members of an antiordinance group called MASH (Memphians Against Social Harassment), formed last month by Memphis Restaurateur Paul Savarin to combat MAD (Memphians Against Degeneracy), the pro-ordinance lobby. Rudi E. Scheidt, president of the Memphis group that sponsors the Met visit each year, called the protest "a hell of an embarrassment to Memphis." But most citizens took the incident in stride. Carey Wong, of Opera Memphis, was rhapsodic: "It was a lovely gesture, a captivating moment." David Reuben, spokesman...

Author: /time Magazine | Title: Boffo in the Buff | 5/23/1983 | See Source »

Busch-Reisinger Noon Recital Series. Bethel Zucchine plays works of Bach, Scheidt and Buxtehude on the organ at noon, Kirkland St. in Cambridge. Free. Community Music Center of Boston. The New England Chamber Quintet at 8 p.m., 48 Warren St. in Boston. Free, Call 482-7494 for information...

Author: NO WRITER ATTRIBUTED | Title: Concert Listings | 11/18/1976 | See Source »

...DAVID L. SCHEIDT Pastor The Evangelical Lutheran Church of the Living Word Roslyn...

Author: /time Magazine | Title: Letters: Mar. 15, 1963 | 3/15/1963 | See Source »

...accolade was not his first. Before being selected over all regional competitors, including Dallas' Otis Dozier (TIME, Dec. 17), Painter Spruce had won recognition nationally (the Scheidt Memorial Prize, a Worcester Art Museum prize) and internationally in 1948 with the first prize at an exhibition of American paintings in Brussels...

Author: /time Magazine | Title: Art: Texas Realist | 8/12/1957 | See Source »

...melancholy expression, as in Couperin's Allemande la Tenebreuse. J. S. Bach was represented on the program twice: by his Italian Concerto, which adapts for solo harpsichord the complete concerto form; and by his Chromatic Fantasy and Fugue, which harkens back to the craggy German organ style of Scheidt and Buxtehude. Perhaps the most electrifying music of the afternoon, however, was Jean Philippe Rameau's Gavotte and Six Variations, in which Kirkpatrick showed his complete technical mastery of the harpsichord, using both of the keyboards and the octave pedals brilliantly...

Author: By Stephen Addiss, | Title: Ralph Kirkpatrick | 11/8/1955 | See Source »

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