Word: schell
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Dates: during 1950-1959
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...Miss Schell, as the unfortunate Gervaise, gives a virtuoso performance, pulling out every emotional stop, but with a restraint that makes her suffering convincing. Her tears and her simpers are no doubt the best of their kind in the motion picture business, but whereas her recent Hollywood directors (who know a good thing when they see one) have restricted Miss Schell's efforts almost exclusively to these two talents, M. Clement allows his star a fuller range of expression--with much more satisfactory results...
...while Clement introduces his humor with admirable subtlety, he plays his horror with brutal directness. Such scenes as the washing-house fight between Gervaise and her rival (where Miss Schell tears an earring out through Miss Delair's bleeding earlobe) and the bedroom where M. Perier has vomited the results of an all-day drinking spree--photographed in careful detail--are moments the viewer would like to, but cannot, forget...
...hardly had to explain why a teacher of Spanish from Montana would give up everything to fight in Spain. But today Robert Jordan, even in the hands of as good an actor as Jason Robards Jr., is hardly more than a cliché cut out of old newspapers. Maria Schell was moving enough as Maria, but the sentimentally written character scarcely seemed real, while Maureen Stapleton lacked the necessary hardness for Pilar. Eli Wallach was superb as the irresponsible gypsy Rafael. But in a far too slowly paced production, it was only Pablo, the broken guerrilla leader, who became...
...Maria Schell, talking of the love affair with Robert Jordan, who came closest to summing up. "Frankly," said she, "I doubt whether real life could maintain that relationship." Even though the second half this week may be better, it is doubtful whether TV's For Whom the Bell Tolls can maintain that relationship either...
...Sins of Rose Bernd (German). A steaming plateful of gravy-and-dumplings naturalism in the grand German manner. Nevertheless, this modernization of a Gerhart Hauptmann play about the horrors of unmarried motherhood is often moving. With Maria Schell...