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...will be pleased to find him unchanged in his role of Dmitri in The Brothers Karamazov. His head is still bald; he still struggles with his emotions with the expressionless face of a man who has just sat through an elementary Hum. lecture; and his mien while watching Maria Schell (Grushenka) shake voluptuously through a rather fiery dance sequence in a Russian-style sin-den is not unlike the beaming countenance he displayed while greeting his numerous children each morning in The King...

Author: By Frederick W. Byron jr., | Title: The Brothers Karamazov | 4/30/1958 | See Source »

...separately through the screenplay until they converge in the fatal conclusion. Brando, his hair bleached for the occasion, plays a sensitive German lieutenant who hates killing, but justifies it as the only way to bring lasting peace to Europe. He resists the attempts of his superior officer (Maximilian Schell) to make him "a creative soldier"; resists the military dictum that "when you become a soldier you contract for killing in all its forms"; resists the friend who tells him that despite all the corpses "nothing really changes"; resists the Frenchwoman (Liliane Montevecchi) who pleads with him to desert because "there...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 14, 1958 | 4/14/1958 | See Source »

Gervaise. The harrowing whole of Emile Zola's L'Assommoir is pretty much reduced to the sum of its amatory parts, in which Maria Schell is most appealing (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Apr. 7, 1958 | 4/7/1958 | See Source »

Cinemactress Maria (The Brothers Karamazov) Schell, arriving in Manhattan to promote her new movie, exuded a heady mixture of fluff and philosophy. A first-rate actress on screen and off, Maria, 32. parried most of the newsmen's thrusts with ease, sooner or later got her listeners into her own frame of reference. Her greatest vice at the moment, by her own confession: "Intensity." The cure she seeks: "Harmony. I want to find peace within myself and the world in which I live. I want to grow, not by design, but as the flower grows. Peace is art. Peace...

Author: /time Magazine | Title: People, Mar. 3, 1958 | 3/3/1958 | See Source »

Gervaise. Emile Zola's L'Assommoir, a vast cry of rage at man's fate, diminished by French taste into a touching story of a woman's ruin; with Maria Schell (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Feb. 17, 1958 | 2/17/1958 | See Source »

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