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Whatever her merits as a screen personality, Maria Schell is not universally liked by her fellow workers. Even in a business where professional jealousy is a strictly observed rule, she has inspired a surprising amount of viciously unflattering comment. A well-known French actor last week gritted: "I have never in my life hated a woman so much." A German director said: "I never think of that kleine Biest without wanting to slap her face." To the cast and crew of Une Vie, the French picture she has just finished shooting, she was openly known as "The Monster." A French...

Author: /time Magazine | Title: Cinema: The Golden Look | 12/30/1957 | See Source »

This Is Truth. Actress Schell works out her parts with a passion for detail that is eminently Swiss. For Die Ratten, in which she played a refugee girl, she traipsed over to East Berlin to have her hair done in a Sovietized style, and bought the shabby clothing she wore in the picture off the back of a girl in a refugee camp. On the set she lives with "total concentration" the character she is playing; if she wants a glass of water between takes, it is the character who makes the request. She covers her scripts with more interpretive...

Author: /time Magazine | Title: Cinema: The Golden Look | 12/30/1957 | See Source »

Always Smiling. Maria's inwardness and philosophical passion, the special glory of her art, is not merely a personal characteristic; it is the peculiar tradition of the German theater, to which she was apprenticed as soon as she could talk. Her father, Hermann Ferdinand Schell, was a Swiss playwright, moderately well known in Vienna, where he lived and worked, and where Maria Margarethe Anna Schell was born on Jan. 15, 1926. Her mother, a Viennese actress, daughter of a prominent neurologist and granddaughter of Vienna's chief of police, ran an experimental theater-along with a family...

Author: /time Magazine | Title: Cinema: The Golden Look | 12/30/1957 | See Source »

...cried real tears of pain and looked so genuinely hurt and startled that the audience stood and cheered." Says Director Josef von Baky: "It was all there at 17. The tremendous intensity and ambition, the radiance and the look of sentimental innocence, the specific Schell personality." At 20, Maria was hired by the State Theater of Bern as its leading lady. Salary: $250 a month. Repertory: Shakespeare, Shaw, Goethe, Ibsen...

Author: /time Magazine | Title: Cinema: The Golden Look | 12/30/1957 | See Source »

...tour of Europe to play Gretchen to his Faust. By 1950 she was in a flood tide of some of the weepiest (and most popular) German pictures ever made. This was her Seelchenperiode as a leidender Engel (suffering angel), the shopgirl's ideal, when the Schell smile was as famous in Germany as the Monroe walkaway was in the U.S. Maria and Dieter Borsche, with whom she was starred in Es Kommt Ein Tag, were the "ideal couple" of Lieschen Müller (the Jane Doe of Central Europe), whose interest was still further excited by rumors that...

Author: /time Magazine | Title: Cinema: The Golden Look | 12/30/1957 | See Source »

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