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...music on the other side, by two recent Swiss-born composers, Ernest Bloch (1880-1959) and Frank Martin (1890-1974), makes this disk welcome. Bloch's oeuvre contains about a dozen works of avowedly Jewish flavor, the most famous being the Schelomo rhapsody for cello and orchestra (1915). The last of the Jewish works was a set of five Pieces Hebraiques (1951), for viola and piano, three of which Bloch orchestrated the next year under the title Suite Hebraique. The Thompson disk is the only current recording with the revised scoring. Though not from Bloch's top drawer, the work...

Author: By Caldwell Titcomb, | Title: Black String Musicians: Ascending the Scale | 8/1/1980 | See Source »

David Commanday '76 is this year's winner of the Harvard-Radcliffe Orchestra's concerto competition held Wednesday night in Paine Hall. Commanday will be the soloist with the orchestra on its March 12 concert in a performance of Schelomo, a Hebrew Rhapsody for Cello and Orchestra by Ernest Bloch...

Author: NO WRITER ATTRIBUTED | Title: HRO COMPETITION | 2/13/1976 | See Source »

...Estudio 5, 12, 9, Minuetto from Sonata (Opus 22), Largo from Fantasia II, Rondo Allegretto from Sonata (Opus 22), Andante Largo (Opus 5, no. 5), Hugo Alfven's Midsummer Vigil, Swedish Rhapsody (no. 1, Opus 19), The Mountain King, A Ballet Pantomime (Opus 87), and Bloch's Schelomo...

Author: NO WRITER ATTRIBUTED | Title: Summer Notes | 7/6/1961 | See Source »

Died. Ernest Bloch, 78, Swiss-born composer (Schelomo, America), who captured in his orchestral and chamber music the youthful ardor of his adopted land, the U.S., and the indomitable spirit of his Jewish heritage, combined the tried music of the old masters with the experimental techniques of the moderns in a rich synthesis, discouraged cliques by living in isolation on the rocky coast of Oregon; of cancer; in Portland...

Author: /time Magazine | Title: Milestones, Jul. 27, 1959 | 7/27/1959 | See Source »

...playing on the top string, all was well; but again and again the piano writing totally smothered the less penetrating middle strings. The scherzo was stylistically consistent; but the other three movements were episodic and eclectic, the slow movement even starting with homage to Bloch's 'cello rhapsody Schelomo. Bavicchi anchored the first movement on recurrences of a sustained 'cello note punctuated by sharp jabs on the piano, which functioned like the trombone theme in Sibelius' Seventh Symphony...

Author: By Caldwell Titcomb, | Title: Piston Seminar Concert | 5/7/1957 | See Source »

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