Word: scheme
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...yards on one block in Sheepshead Bay. (Think about it.)Lafayette has been downright victimized by the Ivy League this season, with its three losses coming at the hands of Penn, Princeton, and Yale. But the Leopards are coming off a bye week, with plenty of time to scheme for the balanced and talented Crimson.If there’s one weakness to be exploited, it’s the suspect Crimson secondary, sorely missing corner Andrew Berry, that allowed neophyte Cornell QB Nathan Ford to go over 300 yards last week. Brad Maurer is a veteran passer with the savvy...
Theater set design is by nature ephemeral, rarely exerting an influence beyond the end of a show's run. Not so the fabled British designer Oliver Messel's scheme for the Royal Ballet's The Sleeping Beauty, first staged in London in 1946. When it opened in New York City in 1949, wrote the legendary ballerina Margot Fonteyn, "Applause greeted the set before anyone danced a step." (Though five other designers of The Sleeping Beauty have been subsequently commissioned, Messel's was a fairy-tale setting the Royal reckoned had never been bettered: to mark its 75th anniversary, the company...
...entire scheme is an essay in riotous cod rococo: swagged chintz, contorted gilt (even the bathroom fittings are gold-plated) and vibrant color (the bedroom juxtaposes canary yellow with magenta). The penthouse walls are decorated with gesso oak branches mounted on mirror to evoke the tangled briars that grew up around Sleeping Beauty's castle. There are lamp fittings shaped like birdcages, twig-like door handles on which perch golden birds, a tented ceiling, painted silk walls and an abundance of cherubs and shells, as well as a number of watercolors by Messel, two of them designs for The Sleeping...
Theater set design is by nature ephemeral, rarely exerting an influence beyond the end of a show's run. Not so the fabled British designer Oliver Messel's scheme for the Royal Ballet's The Sleeping Beauty, first staged in London in 1946.[an error occurred while processing this directive] When it opened in New York City in 1949, wrote the legendary ballerina Margot Fonteyn, "Applause greeted the set before anyone danced a step." (Though five other designers of The Sleeping Beauty have been subsequently commissioned, Messel's was a fairy-tale setting the Royal reckoned had never been bettered...
...domain. So he commissioned Messel to design a suite, a penthouse, a pavilion and a roof terrace with fountain for his luxury London hotel the Dorchester. The result, which opened in 1953 and has been restored but never altered, is truly fit for a princess. The entire scheme is an essay in riotous cod rococo: swagged chintz, contorted gilt (even the bathroom fittings are gold-plated) and vibrant color (the bedroom juxtaposes canary yellow with magenta). The penthouse walls are decorated with gesso oak branches mounted on mirror to evoke the tangled briars that grew up around Sleeping Beauty...