Word: schepisi
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directed by Fred Schepisi...
Guare addresses this story to his audience in a very intimate fashion. In the play, Ouisa and Flan narrate their story directly to the audience, a highly effective comedic technique which also serves politically to directly indict its upper-middle class ranks. Schepisi creatively adopts this to the screen by having the Kittredges recount their story to a group of friends at a function which they attend the morning after the incident...
...opting against a Woody Allen-esque presentation in order to give an already highly theatrical piece a more cinematic feel, Guare (who wrote the screenplay) and Schepisi forfeit some of the humor inherent in direct declarations to the audience. Thus, the dramatic aspects of the work leave the most lasting impression in the film. Whereas the comedic "dialogues" with the audience convey the tone of the play, it is the intensely powerful and haunting conversation between Ouisa and Paul which succeeds most gloriously in the film...
...stage. The frantic emergence of the actors from the Lincoln Center audience not only circumvented slow entrances and exits but added sheer exuberance. However, by fully embracing the possibilities of the new medium, cutting swiftly between different shots and merging the narration and flashbacks in rapid succession, Schepisi gives the work an even more natural celerity...
...Schepisi's camera is in love with New York's posh elegance. The shots of the Park, the view from the Rainbow Room and the panorama of the city's signature buildings are painfully gorgeous. Not only do they open up the script by providing a remarkable picture of the world in which the Kittredges and their friends live, but they provide a stark contrast to the handful of shots taken in the less ethereal parts of the city. When Paul moves in with two aspiring actors in their flat above a roller disco Downtown, and when he phones Ouisa...