Word: scheveningen
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Dates: during 1980-1989
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...with Line (Pier and Ocean), 1917, and Van Doesburg's Countercomposition V, 1924. One is a reduction of atmosphere and light, the twinkling and palpitation of reflections on the flat sheet of the northern sea that Mondrian used to gaze at, hour after hour, during his walks at Scheveningen; it is transparent and delicate, reaching stability through addition. By contrast, the Van Doesburg throws an almost physical blast of color from its surface; the tilted red square is both monumental and unstable, fierce in its intensity...