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Word: schildkraut (lookup in dictionary) (lookup stats)
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...includes a jailbreak, an attempted suicide, a marriage triangle, a race-with-death in fast cars along a headland. The one real and potentially effective suggestion of the picture-the relations between an egotistic young musician and the waif he has married for commercial reasons-is spoiled by Joseph Schildkraut's familiar affectations, his habit of speaking lines of conversation as though he were reciting a Macaulay essay. Silliest shot: the champagne party in the local cabaret...

Author: /time Magazine | Title: Cinema: The New Pictures Apr. 28, 1930 | 4/28/1930 | See Source »

...Mississippi Gambler (Universal). When Showboat was finished, Universal had plenty of material left over?pantalettes, clippings of river scenes, Joseph Schildkraut's southern accent, beaver hats, some expensive Mississippi locations. These fragments are here thrown together on a framework involving the inherent nobility of a gambler who, after winning the parish funds from Colonel Blackburn, falls so much in love with the Colonel's daughter (Joan Bennett) that he lets her win them back again. Silliest shot: Miss Bennett hearing of her father's betrayal...

Author: /time Magazine | Title: Cinema: The New Pictures Nov. 11, 1929 | 11/11/1929 | See Source »

...Lovin' That Man." Of the progress of the showboat, Cotton Palace, down the river, Director Harry Pollard has made a picturesque, oldfashioned, tedious melodrama, full of conventional photography and exaggerated acting. Magnolia (Laura La Plante), an awkward young woman with a long jaw, elopes with Gaylord Ravenal (Joseph Schildkraut) in a rowboat. Later she becomes a great actress, though this is hard to believe because Miss La Plante is such a bad one. Best shot: the play given on the stage of the show boat. Silliest shot: Schildkraut drunk...

Author: /time Magazine | Title: Cinema: The New Pictures Apr. 29, 1929 | 4/29/1929 | See Source »

...letters since then has re-echoed the barking of that pistol. So too has nearly everything in the cinema. No exception is this story of an immigrant who, unjustly imprisoned, is released only to find that his son has been overwhelmed in the big noise of 1914-18. Rudolph Schildkraut is languid as the immigrant. This is one of two pictures in which able Louise Dresser gives simultaneous, current Manhattan performances...

Author: /time Magazine | Title: Cinema: The New Pictures Sep. 17, 1928 | 9/17/1928 | See Source »

...Blue Danube. A nobleman refuses to marry a rich brewer's daughter, while he woos a poor innkeeper's daughter (Leatrice Joy), while an unloved hunchback (Joseph Schildkraut) stabs himself, while the captions say over & over: "Always remember that as long as the Danube flows, I shall love you." Nicely filmed and dull...

Author: /time Magazine | Title: Cinema: The New Pictures May 21, 1928 | 5/21/1928 | See Source »

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