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More than anything else in Steven Spielberg's Schindler's List, this potent, poignant scene illuminates the moral stupor of the totalitarian heart. And the performance has made an instant star of an actor previously known only in Britain. Already Ralph Fiennes (the name is Welsh and rhymes with safe signs) has a Golden Globe Award, a New York Film Critics Circle citation and, as of last week, an Oscar nomination as Best Supporting Actor for his work in Schindler's List. In September moviegoers will see him as Charles van Doren, that fallen savant of '50s TV, in Robert...

Author: /time Magazine | Title: The Man Behind the Monster | 2/21/1994 | See Source »

During last winter's grueling shoot in Poland, Fiennes vacuumed up nuggets $ of Goethiana from every source: newsreels, Thomas Keneally's Schindler novel, testimony by the Schindler Jews. But he needed no research to feel the chill of hatred in his bones; simply by appearing in his Nazi uniform he enlisted volunteers of bigotry. "The Germans were charming people," a sweet-faced woman told him. "They didn't kill anybody who didn't deserve...

Author: /time Magazine | Title: The Man Behind the Monster | 2/21/1994 | See Source »

When Fiennes, in full Hauptsturmfuhrer regalia, was introduced by Spielberg to Mila Pfefferberg, a Schindler survivor depicted in the film, the old lady trembled. "Her knees began to give out from under her," Spielberg recalls. "I held her while Ralph enthused about how important it was for him to meet her -- and she vibrated with terror. She didn't see an actor. She saw Amon Goeth...

Author: /time Magazine | Title: The Man Behind the Monster | 2/21/1994 | See Source »

...success outside the rarefied air of Park City. Last year's graduating class -- including Boxing Helena, Ruby in Paradise and Bodies, Rest & Motion -- did little business at the box office. One problem, say some distributors, is that an increase in serious movies from the major studios -- among them Schindler's List and In the Name of the Father -- has made it tougher than ever to find an audience for small "specialty films" (the new, commercially correct term for art film...

Author: /time Magazine | Title: On Redford's Mountain | 2/14/1994 | See Source »

While many felt obligated to see "Schindler's List," few feel compelled to learn about the horrors in Bosnia, much less construct coherent thoughts about what might be done...

Author: By David L. Bosco, | Title: War In Our Time | 2/9/1994 | See Source »

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