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...VICTOR VOCAL SERIES. Maybe they weren't better in the old days, but these digitally remastered recordings make a strong case that the jet plane and overbooked schedules are enemies of vocal grace. The first issues in this new project include Marian Anderson, Leonard Warren, Rosa Ponselle, Tito Schipa and Jussi Bjoerling. The Warren disk is an oddity, recorded live on a 1958 tour of the Soviet Union, where the baritone's dark, sexy voice knocked 'em dead. Ponselle's sublime vocal poise lights great Verdi arias and ditties like When I Have Sung My Songs...

Author: /time Magazine | Title: Critics' Voices: Nov. 6, 1989 | 11/6/1989 | See Source »

...last two bitter words, ingrata, ingrata, he showed how a bold singer with operatic instincts can bring pathos to the whole song. Perhaps the most perfect, if not the most ambitious number was Tosti's limpid Ideale. In the heavenly cantoria, one could picture Beniamino Gigli and Tito Schipa nodding paternally, John McCormack consulting the universal genealogy to see if Pavarotti has any Irish blood. He has been compared with these tenors and many more, including Caruso. None is quite right. Pavarotti is himself: a great tenor whose technique is traditional, but whose direct, unsentimental, occasionally tough approach to music...

Author: /time Magazine | Title: Music: Luciano's Back in Town | 3/6/1978 | See Source »

...high notes do not a tenor make. At least they shouldn't even though high C's account for Mr. Pavarotti's sudden fame. Caruso was a B-flat tenor, as were, Pertile, and Schipa. High C's were simply out of their performing range. And some past greats, like Martinelli and Pertile not only lacked good high notes but lacked beautiful voices altogether. They made their reputations on vocal excitement and elegance of interpretation. Today most tenors sing with plodding monotony; no variety of color, no subtlety of phrasing, no dramatic imagination. Mr. Pavarotti uses his voice with...

Author: By Lorenzo Mariani, | Title: A Reputation (Like Everything Else About Him), Overblown | 5/12/1977 | See Source »

Died. Tito Schipa, 75, Italian opera star, a peppery tenor who, saying that hours spent in practice are wasted ("Singing is not like athletics-you don't get any better by exercise"), nursed his voice through a 54-year career, first in romantic opera, scoring successes in the U.S. with the Chicago Civic Opera in the '20s and New York's Metropolitan Opera in the early '40s, and later in concerts, to which he turned in his 60s to pursue an only slightly less vigorous career; of diabetic cardiovascular disease; in Manhattan...

Author: /time Magazine | Title: Milestones: Dec. 24, 1965 | 12/24/1965 | See Source »

...voice. They say I'm pushing and making a tremendous amount of tone. Well, you know what? When I push, it gets ugly, out of focus. I say to myself, 'Watch it, Mario; it's blurred.' I have an ear. I know. Tito Schipa said to me, 'Mario, you have the greatest given throat ever heard in a young man. Take care of it.' I am taking care...

Author: /time Magazine | Title: Cinema: Million-Dollar Voice | 8/6/1951 | See Source »

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