Word: schipa
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Dates: during 1920-1929
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...Opera. Soprano Muzio and Tenor Schipa took Verdi's libation of tunes and tears, poured it out, an acceptable sacrifice to Emotion. Muzio, as Violetta, erred, atoned and died. Schipa, as Alfred, loved loudly and blindly while Richard Bonelli, benign as the father, rubbed his hands and looked on at the mischief of his own making. The 3,500 in the Auditorium took delight in Muzio's costumes, in the elaborate sets, in the new ballet with incidental dances by Vechslav Swoboda, in boxholder's emeralds, gowns. The ten million got little of the glamour, missed little...
Died. Luigi Schipa, 88, father of Tenor Tito Schipa of the Chicago Civic Opera Co.; in Lecce, Italy. News was kept from Tenor Schipa until he finished a performance of Martha. Last summer Tenor Schipa, visiting Italy, arranged a special performance for his father...
...Samuel Insull, sitting beside Her Majesty in the first box, had been a man of many words, he might have told her of the rising fame of Chicago opera, of such artists as Edith Mason, Mary Garden, Rosa Raisa, Cyrena Van Gordon, Charles Marshall, Tito Schipa. It is true that Chicago has no Rosa Ponselle, no Maria Jeritza, no Gigli, no Martinelli, and that it dispensed with the high-priced Amelita Galli-Curci; but often the Chicago operas more than equal the Metropolitan in vitality and freshness. Mr. Insull, being both quiet and reticent, undoubtedly neglected to tell Her Majesty...
Tomorrow at 3.30 o'clock, Tito Schipa, of wide fame as a concert tenor as well as a leading operatic singer, will give a recital at Symphony Hall. Mr. Schipa is possessed of a voice of beautiful warm quality, and this combined with the program he has chosen should make the concert very enjoyable...
...disasters, but he has not sung in Tokyo since the Quake, he has not sung in Johnstown since the Flood, nor, until last week, had he sung in San Francisco since the Fire. His great voice boomed there last week; other famed singers tuned their notes-Tita Schipa, tenor from the Chicago Civic Opera; Marguerite d'Alvarez, Spanish contralto; Rosina Torri, from La Scala; Fernand Ansseau, Belgian. Fans, neckcloths, puffed and powdered melodies furbished once more the elegant infidelities of Manon Lescaitt; pompous swaddlings adorned the familiar French-Hebrew heroics of Samson et Dalila. The San Francisco Opera Company...