Word: schipa
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Dates: during 1970-1979
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...last two bitter words, ingrata, ingrata, he showed how a bold singer with operatic instincts can bring pathos to the whole song. Perhaps the most perfect, if not the most ambitious number was Tosti's limpid Ideale. In the heavenly cantoria, one could picture Beniamino Gigli and Tito Schipa nodding paternally, John McCormack consulting the universal genealogy to see if Pavarotti has any Irish blood. He has been compared with these tenors and many more, including Caruso. None is quite right. Pavarotti is himself: a great tenor whose technique is traditional, but whose direct, unsentimental, occasionally tough approach to music...
...high notes do not a tenor make. At least they shouldn't even though high C's account for Mr. Pavarotti's sudden fame. Caruso was a B-flat tenor, as were, Pertile, and Schipa. High C's were simply out of their performing range. And some past greats, like Martinelli and Pertile not only lacked good high notes but lacked beautiful voices altogether. They made their reputations on vocal excitement and elegance of interpretation. Today most tenors sing with plodding monotony; no variety of color, no subtlety of phrasing, no dramatic imagination. Mr. Pavarotti uses his voice with...