Word: schizophrenias
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Dropouts with a diagnosis of obsessive-compulsive reactions ranked highest in intelligence (as measured by PRL), followed by unstable personality and sexual deviation. The categories of anxiety reaction and schizophrenia reaction ranked lowest-but the schizoid personality had by far the highest score on the SAT verbal test...
...world's best publicized new beginning. Now the original American Dream is dying by bits and pieces, and that is our panic. Do the new rituals represent fumbling attempts to initiate a second beginning? Is all the writhing and the agony, all the violent self-division, the schizophrenia of an old self dying, a new self being born? Are we witnessing, at last, the erratic rites of America's coming of age? Of its coming to a self-awareness chastened by defeats into being more human? It is too ^soon to speculate-even to dream a second dream...
...Meir. A Palestinian gunman killed Abdullah at Jerusalem's historic Al Aqsa mosque. The assassin also fired at Grandson Hussein, who was standing beside Abdullah, but the bullet ricocheted off a medal on his uniform. Abdullah was succeeded by Hussein's father, Talal. But after one year, schizophrenia overcame Talal, and Hussein, 18, was proclaimed monarch...
Suppose I am attributing too much to the city/country split. That these are all my projections, an emblem for my own schizophrenia. That is possible, but so what. Discrepancy is everywhere. In another mood, it could be discussed in terms of human good and evil, but it would make no more sense. Baba Ram Dass says that the mark of Western thinking is that it creates phony insoluble metaphysical dilemmas to keep people upset and working hard. I am told also that the Cubans have abolished the study of Philosophy in University graduate schools, because it has been shown that...
HUMILIATION, guilt, psychic imprisonment, schizophrenia, cosmic alienation, cruelty, suicide, cancer of the soul: these are not unlikely concerns for a new film by Ingmar Bergman. Through a Glass Darkly, The Silence, Persona, and Hour of the Wolf have all developed these themes, groped for them, probed them, pried them loose from their existential moorings, and held them up for all to see against the ambiguous Scandinavian sky in their full mystery and complexity. The Passion of Anna, however, attempts no exploration into these. It presents them, parades them, but asks no questions, suggests no solutions...