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...shame that Carl Schlaikjer did not receive credit in the program listings for his oboe d'amore playing. It was a display of virtuoso caliber remarkable for its sensitivity of phrase and quality of tone. The instrument's sound filled the church in beautiful counterpoint to the alto-tenor duet...

Author: By Kenneth Hoffman, | Title: Choral Evensong | 10/31/1973 | See Source »

...poor intonation. On the whole, the woodwinds came off better than the strings, though everyone seemed to be working hard. Marilyn Malpass was a model concert-mistress, at all times attentive to the conductor and heroically attempting to bring the rest of the section along with her. Oboist Carl Schlaikjer was shaky in the second movement, but recovered by the sixth and spun out some of the most mellifluous, well-shaped line I have ever heard. To the flute, Mahler has given a number of improvisatory, melismatic solos that rank with Debussy's writing for the instrument; and principal Michael...

Author: By Robert G. Kopelson, | Title: Yannatos' Swan Song | 12/11/1967 | See Source »

...evening's best playing came in the first three movements of the Eroica. Lazar led with authority, observed all the repeats, and superimposed no un-indicated retards. The tone had body, and the rhythm had vitality. Carl Schlaikjer's oboe-playing and Daniel Farber's kettledrumming were particularly expert; and all the hornists negotiated their treacherous parts with real heroism. There were some bad moments, such as the ragged fiddling at the start of the first movement's coda and the end of the funeral march; and a woodwind passage in the trio of the scherzo was muffed the first...

Author: By Caldwell Titcomb, | Title: Cantabrigia Orchestra | 8/11/1967 | See Source »

...Nuages"--the first--was disappointing. This fragile piece must be played with a pull that will give it direction without destroying the mood. It was the absence of this force, plus a certain heaviness, that kept "Nuages" from coming off, though Carl Schlaikjer's luscious English horn solos helped to make up for the orchestra's deficiencies...

Author: By Isaiah Jackson, | Title: Harvard-Radcliffe Orchestra | 3/8/1965 | See Source »

During the summer of 1962 the members of the quintet--Gerald O. Grow '64, clarinet; Pamela Campbell '63, flute; Glenn Sproul '65, French horn; Carl Schlaikjer '61, oboe; and David Klauser '63, bassoon--took part in the HRO tour of Mexico...

Author: By Lawrence W. Feinberg, | Title: H-R Woodwind Quintet Makes Lively Concert Tour of Mexico | 9/25/1963 | See Source »

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