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Word: schmidts (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Schmidt of Detroit's football Lions stands only 6 ft. and weighs only 214, is a terror on the four-three defense and can red-dog real nice, but there is one thing he doesn't do. What is it? See SPORT, Man Against the Poppers...

Author: /time Magazine | Title: A Letter From The Publisher, Dec. 9, 1957 | 12/9/1957 | See Source »

...defeat. And by then, no one needed to see a number or recognize a face to spot the hero of Detroit's defensive success. The man in the middle of almost every pile-up in the muck was the Lions' great middle linebacker. Joseph Schmidt...

Author: /time Magazine | Title: Sport: Man Against the Poppers | 12/9/1957 | See Source »

...damp victory kept the Lions running well toward the front in the race for professional football's Western Conference championship. And even the Lions' veteran (30) Quarterback Bobby Layne. the man with the golden arm. admits that it is such defensive experts as Schmidt that keep the competition close. "Everyone is using a four-three defense* now," explains Layne. "And from the four-three they can do anything. Say the four linemen rush you -then you've got seven men in the secondary, and you've really got to pinpoint your passes. Or they...

Author: /time Magazine | Title: Sport: Man Against the Poppers | 12/9/1957 | See Source »

...transaction was the second of the day and both involved National League clubs. Earlier, the St. Louis Cards sent pitchers Willard Schmidt, Marty Kutyna and Ted Wieand to Cincinnati...

Author: NO WRITER ATTRIBUTED | Title: Footballers Get All-America Notice | 12/6/1957 | See Source »

Perhaps most ironic is the extent to which this exhibition reveals the influence of French art to which German expressionism has lately been opposed, especially the poetically inclined canvases of Erich Heckel. Karl Schmidt-Rottluff's Fauve period Harbor Scene is a product of the movement dominated by Matisse and is a canvas far superior to Schmidt-Rottluff's two later, extremely ungainly, still-lifes. And Jawlensky's Head of a Woman pays tacit tribute both to Matisse and Rouault...

Author: By Paul W. Schwartz, | Title: Deutsche Kunst | 12/5/1957 | See Source »

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