Word: schmidts
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Dates: during 1960-1969
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...without Words I and Illuminations are curious productions. The first an accelerated and expurgated history of humankind. Paul Schmidt is The Man and for perhaps fifteen vaguely humorous minutes he clutches at the summum bonum. Then he declines, as do we all to a blasted heap of insensibility. It is worth the fifteen minutes, I think, just to see Paul Schmidt portray a blasted heap...
Oddly enough, another junior named was Greenidge's counterpart for Yale, Tom Schmidt. To make room for two middle guards, the coaches chose only three defensive backs, slighting some of the League's excellent "rovers...
...represented on the squad, and Brown placed only its punter, Joe Randall. The All-Ivy Teams DEFENSE Pos. Name (Votes School E Walt Kozumbo (4) Princeton E Rod Watson (5) Yale T Dave Davis (4) Harvard T Bob Greenlee (7) Yale G Stan Greenidge (5) Harvard G Tom Schmidt (5) Yale LB Don Chiofaro (7) Harvard LB Bill Hilgendorf (6) Yale DB Doug James (6) Princeton DB Wynn Mabry (5) Dartmouth DB John Tyson (5) Harvard Punter Joe Randall (6) Brown OFFENSE Pos. Name (Votes School E Bill Calhoun (4) Dartmouth E Ron Gervase (4) Cornell T Steve Diamond...
Theory & Practice. In their specialties, the two schools have been world pacesetters. Caltech's astronomers use the telescopes at Mount Wilson and Palomar observatories, and with Maarten Schmidt have explored the unusual nature of quasi-stellar objects (TIME cover, March 11). Its biologists and chemists, including James Bonner and Linus Pauling, have advanced knowledge of the basic chemistry of human life. Physicist Richard Feynman is helping to unify the theories of gravitational and electrodynamic fields, and his colleague, Murray Gell-Mann, broke new ground in subatomic theory by correctly predicting the existence of new particles. Seismologist Charles F. Richter...
...Psalms is always a treacherous adventure. Since it so often concentrates on developing a brief melody by very slight changes in the background harmony or by interchanging the chords backing up the melody, any subtlety of phrasing that is missed when the melody first appears becomes painfully magnified. Conductor Schmidt was most successful in evading this trap, leaving only the "Alleluia" motifs in the last movement a bit raw. A very strange circumstance about the performance was that the tiredness of chorus and conductor after wading through all that went before resulted in exactly the right amount of energy being...