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...censorship views of Godfrey P. Schmidt, a lawyer who has represented Cardinal Spellman, were sharply challenged last night in a Law School Forum at New Lecture Hall...

Author: By Lewis M. Steel, | Title: Debaters Contest Views Of Censors Proponent | 2/9/1957 | See Source »

...While Schmidt maintained that "mankind will never outgrow" the need for minimal censorship, Patrick W. Malin, Executive Director of the American Civil Liberties Union, claimed, "Bad may come of free speech, but we get so much else for it that it is worth a high price...

Author: By Lewis M. Steel, | Title: Debaters Contest Views Of Censors Proponent | 2/9/1957 | See Source »

...speakers are Godfrey P. Schmidt, president of AWARE, INC., an anti-subversive organization; Pattrick Murphy Malin, Executive Director of the American Civil Liberties Union; and Morris L. Ernst, well-known New York liberal...

Author: NO WRITER ATTRIBUTED | Title: Law Forum Panel to Weigh TV, and Movie Censorship | 2/8/1957 | See Source »

Working at Lowell Observatory, Flagstaff, Ariz., Dr. Tombaugh used some fancy apparatus: a Schmidt telescopic camera so sensitive that it could photograph a tennis ball, half-lit by the sun, 1,000 miles away, or a V-2 rocket at the distance of the moon. It covered a 13° field, 26 times the apparent diameter of the full moon, and a complicated driving mechanism swung it across the sky, fast for nearby satellites, slower for satellites farther away. On its plates the stars showed as streaks. A satellite, if one had been found, would have shown...

Author: /time Magazine | Title: Science: No Satellite in Sight | 1/14/1957 | See Source »

...work of "Die Bruecke" three dimensional illusionist painting was severely attacked. Simple contrasts of black and white replaced the attempt to model form by different degrees of color. Taking their inspiration from Medieval and African models, Heckel and Schmidt Rottluff created works of monumental style having an elemental power and an obvious decorative quality. These early pictures of "Die Bruecke" were infused with a catching vitality that was unfortunately soon lost in an insipid and fashionable Ars elegante. Other expressionists like Kollowitz and Kokoschka remained true to the original inspiration. "Woman with Dead Child" is Kollowitz at her best struggling...

Author: By Lowell J. Rubin, | Title: German Mid-Century Review | 10/16/1956 | See Source »

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