Word: schnabel
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Dates: during 1930-1939
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...year-old Ruth Slenczynski will give 30 U. S. concerts this season. Manhattan's Carnegie Hall is so big that the only adult pianists who will play there this month are Josef Hofmann and Artur Schnabel. But Carnegie was not too big for Pianist Ruth Slenczynski last week. Three thousand New Yorkers were delighted to pay to hear a child so confident that she will attempt the weightiest music, so pert that she will suggest a different tempo to an experienced conductor like Bernardino Molinari...
...duties at the Curtis Institute in Philadelphia, then took to the road. José Iturbi, the elfin little Spaniard who sometimes conducts, was working his way up the Pacific Coast. In Manhattan such steady oldtimers as Harold Bauer and Ossip Gabrilowitsch were drawing their own faithful audiences. Artur Schnabel was doubling his success of last season. In Detroit Myra Hess, greatest of women pianists, began a tour of 40 concerts. Ignace Jan Paderewski, at 74 the world's best-selling pianist, is spending the winter in his villa on Lake Geneva but he hints at a U. S. tour...
...heard in Boston during the next few weeks. Albert Spalding, the noted violinist, is presenting at Jordan Hall on Saturday afternoon, January 19, a program consisting of selections from both old and new composers, a range from Bach to Ravel. On Sunday afternoon, January 20, Arthur Schnabel, eminent pianist, is to be heard at Symphony Hall playing sonatas of Schubert, Mozart, and Becthoven. The Dutch pianist, Jan Smeterlin will appear on Friday evening, February 1, at Jordan Hall...
Rare among musicians is Pianist Artur Schnabel, the squareheaded little Austrian who refuses to publicize himself and chooses his programs to suit his own taste. To his manager's concern, Schnabel would play only Beethoven at his concerts last year. But when the box-office takings were reckoned he had proved to be an outstanding success of the season...
Beginning another U. S. tour, Schnabel played last week with the Philadelphia Orchestra, conducted for the first time by towering Otto Klemperer.* The concerto was Beethoven's Emperor, a performance that Philadelphians will long remember for its masterly blend of power and tenderness. Mozart and Schubert will have a place on Schnabel's recital programs this winter. But for New Yorkers he has another stiff Beethoven test. Next week he will play the Thirty-three Variations on a Waltz by Diabelli. Said he to his manager last week: "You may warn the public, if you like, that they...