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...including Leon Trotsky. FRIDA, at the Brooklyn Academy of Music's Next Wave Festival, adds to her stature as cult figurine. Mexican musical motifs blend with spoken monologues and lyrical, character-defining songs, while masks and puppets recreate the magic realism of her paintings. In the title role, Helen Schneider conveys the radiance and explosive fury of the woman whose art was, in the words of Andre Breton, a "ribbon around a bomb...

Author: /time Magazine | Title: Short Takes: Nov. 2, 1992 | 11/2/1992 | See Source »

Wheaton cited three juniors--Eynon, Laura Flynn, and Martha Schneider--as the stand-out players in the game for the Crimson...

Author: By Sean D. Wissman, CONTRIBUTING REPORTER. | Title: Dominating Crimson Eeks Out Tie | 10/16/1992 | See Source »

...last comparable Matisse show was organized in 1970 by Pierre Schneider in Paris, to mark the artist's centenary. It contained 250 works, and its catalog weighed 2 lbs. It seemed, at the time, exhaustive. This one has rather more than 400 works, and its catalog tips the kitchen scales at 5 lbs. 7 oz., outweighing even MOMA's Picasso catalog by 11 oz. It isn't a show to approach casually, even if the coming box-office jam allowed it. But Elderfield's panorama of Matisse's achievement is so exhilarating, so full of rapturous encounters with...

Author: /time Magazine | Title: Art: Matisse The Color of Genius | 9/28/1992 | See Source »

Often Kahlo (Helen Schneider) is painted as a cardboard caricature in order to better serve narrow agendas: agonizingly disabled, Mexican, communist, bisexual, a woman oppressed by a famous painter husband. Frida expertly avoids exploiting the politically correct factors that have posthumously made Frida Kahlo a pop culture celebrity...

Author: By Vineeta Vijayaraghavan, | Title: Play Depicts Art as Life Source for Mexican Legend Frida Kahlo | 9/24/1992 | See Source »

...Helen Schneider's Frida is stunning and exhibits amazing range: tempestuously angry, hurt and betrayed, laughing and cavorting, she lays claim to the stage, the spotlight, the audience. Even when the stage is crowded with shadow puppets, or wounded deer, or an assortment of Rockefellers and Fords, it is Schneider who is magnetic and maintains a mythic aura...

Author: By Vineeta Vijayaraghavan, | Title: Play Depicts Art as Life Source for Mexican Legend Frida Kahlo | 9/24/1992 | See Source »

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