Word: schneidman
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Dates: during 1980-1989
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...style of one of Hollywood's gritty, black-and-white melodramas of the period. Earlier this season, the same company presented a Mad Max version of Bizet's Carmen by David Pountney that replaced castanets and mantillas with feral children darting amid junked American automobiles. In Paris, Producer Seth Schneidman staged Strauss's Elektra as a dream-theory psychodrama, freely mixing images of Greek antiquity and 19th century Europe...
...Paris Elektra was the most daring in concept but the tamest in execution. Schneidman rather naively promised an "arena of the psychodrama buried deep in the tomb of the unconscious," but what occurred onstage was a fairly standard day in the death of the House of Atreus. The real pleasures of the production were the whiplash performance of Soprano Hildegard Behrens in the title role and the gloriously haunted Klytemnestra of Mezzo Christa Ludwig. Conductor Seiji Ozawa, leading his first Elektra, sought out the brutal score's elusive lyric elements and found most of them...
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